244 856 fãs
Roygbiv | Boards of Canada | 02:31 | |
Peacock Tail | Boards of Canada | 05:24 | |
Dayvan Cowboy | Boards of Canada | 05:00 | |
Farewell Fire | Boards of Canada | 08:26 | |
Tears From The Compound Eye | Boards of Canada | 04:03 | |
Open The Light | Boards of Canada | 04:25 | |
Reach For The Dead | Boards of Canada | 04:47 | |
Nothing Is Real | Boards of Canada | 03:52 | |
Semena Mertvykh | Boards of Canada | 03:30 | |
Telephasic Workshop | Boards of Canada | 06:35 |
Ready Lets Go | |
Music Is Math | |
Beware The Friendly Stranger | |
Gyroscope |
Tucked away in a their mysterious Hexagon Sun studio in the rural Pentland Hills of Scotland, brothers Marcus and Michael Sandison led a reclusive collective of electronic artists in making some of the most inventive dance music of the late 1990s. The duo grew up in Edinburgh playing in local bands and recording samples with tape decks, before their groups fell apart and the duo were left to create their own ambient experiments. Named after their obsession with nature documentaries made by the National Film Board of Canada, they released cassette albums Twoism (1995) and Boc Maima (1996) on a limited basis, but it was Music Has The Right To Children (1998) that became a cult classic, filled with analogue synths, retro robotics and cryptic occultist references. Championed by legendary Radio 1 DJ John Peel, their love of 1980s sci-fi film soundtracks and short mood-changing snippets continued on Geogaddi (2002), as they helped shape the reputation of avant garde label Warp Records. As the band maintained a very low media profile, rarely giving interviews or performing, their mythical reputation grew and helped fourth studio album Tomorrow's Harvest (2013) become their most successful, reaching Number 7 in the UK charts and Number 13 in America.