Nikolaus Harnoncourt
53 122 Fans
53 122 Fans
| Weihnachtsoratorium, BWV 248 : Part I: For the First Day of Christmas: 2. Evangelista: Es begab sich aber zu der Zeit | Nikolaus Harnoncourt | 01:20 | |
| Weihnachtsoratorium, BWV 248 : Part I: For the First Day of Christmas: 3. Recitativo (Alt): Nun wird mein liebster Bräutigam | Nikolaus Harnoncourt | 00:47 | |
| Weihnachtsoratorium, BWV 248 : Part IV: Feast of Circumcision: 40. Rezitativ mit Choral: Wohlan, dein Name soll allein | Nikolaus Harnoncourt | 01:28 | |
| Bach, JS: Ich habe genug, BWV 82: No. 1, Aria. "Ich habe genug" | Nikolaus Harnoncourt, Philippe Huttenlocher | 06:50 | |
| Weihnachtsoratorium, BWV 248 : Part I: For the First Day of Christmas: 4. Aria (Alt): Bereite dich, Zion | Nikolaus Harnoncourt | 05:39 | |
| Weihnachtsoratorium, BWV 248 : Part VI: For the Feast of Epiphany: 58. Evangelista: Als sie nun den König gehöret hatten | Nikolaus Harnoncourt | 01:09 | |
| Weihnachtsoratorium, BWV 248 : Part II: For the Second Day of Christmas: 13. Rezitativ (Tenor): Und der Engel sprach zu ihnen | Nikolaus Harnoncourt | 00:44 | |
| Cantata BWV 140 "Wachet auf, ruft uns die Stimme" : VII. Choral: Gloria sei dir gesungen | Nikolaus Harnoncourt | 01:54 | |
| Weihnachtsoratorium, BWV 248 : Part V: For the Sunday after New Year: 47. Aria (Bass): Erleucht auch meine finstre Sinnen | Nikolaus Harnoncourt | 04:23 | |
| Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Nikolaus Harnoncourt | 06:40 |
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A giant of classical music in the 20th century, Austrian composer and conductor Nikolaus Harnoncourt rediscovered some of the great historical compositions and became recognised as a charismatic and highly influential maestro. Born into a wealthy family of Austrian aristocrats, he studied cello at the Vienna Music Academy and played in the Vienna Symphony Orchestra under Herbert Von Karajan, but his interest in the history of classical music led him to form the ensemble Concentus Musicus Wien to perform one of the first operas - Monteverdi's 'L'Ofero'. It started a mission to re-introduce the forgotten pre-Baroque compositions using period instruments, and he went on to become a conductor in 1970 and spend nearly two decades recording Bach's cantatas with harpsichordist Gustav Leonhardt.
In the 1980s he staged all of Mozart's operas and his interpretations of Beethoven's symphonies with the Chamber Orchestra of Europe proved highly popular and sold over a million copies. He won the Grammy Award for Best Choral Performance in 2001 for his version of Bach's 'St Matthew Passion' and changed direction by recording Anton Bruckner's 'Symphony No. 9' in 2002 and performing music from George Gershwin's 'Porgy and Bess'. One of his final major projects was to work with Chinese pianist Lang Lang on a performance of Mozart's concertos and sonatas, before his death in 2016 aged 86.
