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The record is as clear as “Mr. Blue Sky”—the music of Jeff Lynne always has been and always will be very much a “livin’ thing.” Jeff Lynne’s music is a livin’ thing for its wildly gifted creator—arguably our most unassuming rock god ever—and it’s a livin’ thing for millions of fans all over the world who love the uplifting, inspiring and exquisite music that this man has been making all of his life. Indeed, these past few years have been especially exciting times for Jeff Lynne fans. That’s because the man himself has been busy working in the studio—Lynne’s natural environment—to bring us an impressive long wave of new releases that find him looking both forward and backward, and reminding us that the very best music is forever. Following fast upon the 2012 release of his remarkable latest studio album Long Wave and the amazing brand new recordings on Mr. Blue Sky: The Very Best of Electric Light Orchestra come three exciting new 2013 releases that allow fans to celebrate and rediscover some significant moments in Lynne’s very much ongoing career. Among these new 2013 releases are an expanded edition of Jeff Lynne’s first solo album, 1990’s Armchair Theatre, a lovely set of songs that followed Lynne’s great success with the Traveling Wilburys, and features guest turns from George Harrison, Ringo Starr, Del Shannon and Richard Tandy, as well as a co-write by Lynne with his friend and frequent collaborator, Tom Petty. There is also an expanded edition of Zoom, the 2001 album that found Lynne reviving Electric Light Orchestra for an excellent new set of songs that also featured guest turns from Harrison, Starr and Richard Tandy. And now available for the first time on CD comes Live, an excellent and vivid collection of concert performances with Lynne and longtime ELO member Richard Tandy leading a new group of players through a live set for a 2001 TV special that features many of the group’s greatest and most beloved songs. All three of these new 2013 releases from Jeff Lynne come with bonus tracks and new liner notes. As if that’s not enough, Jeff Lynne is also in the studio at work on his next studio album of original tracks and his next wave of musical excellence. * * * Jeff Lynne has been making waves all over the world for most of his very musical life—a fact memorably documented in the acclaimed 2012 documentary Mr. Blue Sky: The Story of Jeff Lynne & ELO. The creative force of Electric Light Orchestra and a singularly accomplished producer, singer-songwriter and key collaborator with some of the most illustrious names in rock history, Lynne has been making global music history for most of his life. In 2012, Lynne returned in a big way to make waves all over again with Long Wave. Lynne’s extraordinarily vital and impressive latest solo album found this remarkable artist and record maker recording some of the great popular songs that first inspired his lifelong and enduring love affair with popular music. Evoking an era back when old standards were just giving way to rock & roll, Long Wave powerfully celebrates the music of a time when Lynne’s lifelong passion for music began. “I call this new album Long Wave because all of the songs I sing on it are the ones heard on long wave radio when I was a kid growing up in Birmingham, England,” Lynne explains. “These songs take me back to that feeling of freedom in those days and summon up the feeling of first hearing those powerful waves of music coming in on my old crystal set. My dad also had the radio on all the time, so some of these songs have been stuck in my head for 50 years. You can only imagine how great it felt to finally get them out of my head after all these years.” Take one listen to Long Wave, and you will find that you can’t get the songs here out of your head. These are Lynne’s deeply felt and musically brilliant one-man band takes on a wide range of standards from “Bewitched, Bothered And Bewildered” written by Richard Rogers and Lorenz Hart to “Smile” co-written by Charlie Chaplin and made famous by Nat King Cole to “So Sad” made famous by The Everly Brothers and Chuck Berry’s driving “Let It Rock.” The songs that Jeff Lynne revisits and reboots on Long Wave are some of the great songs that inspired him to go on to write his modern standards—a rather long list that includes “Mr. Blue Sky,” “Showdown,” “Livin’ Thing,” “Do Ya,” “Sweet Talkin’ Woman” and “Telephone Line,” to name just a few. “These songs were the beginning of my dream. Then the Beatles hit me and I was gone forever. It’s a dream that I wished so hard, so hard for that eventually it came true. Amazingly, what I wanted back then—I actually got. Everything I wanted. For instance, I wanted to work with the Beatles desperately when I was a guy in a group in Birmingham just playing. What was the chance of that ever happening? It was no chance. And yet it happened.” Long Wave is another chapter in one of popular music’s greatest stories ever told. And it came as Lynne also brought his fans Mr. Blue Sky: The Very Best of Electric Light Orchestra, an altogether stunning volume featuring brand new versions of his past ELO smashes. “I’m trying to use everything I know to finally get things right,” said Lynne. In other words, Jeff Lynne is using all that he’s learned in a lifetime as a record maker to bring fans some of the greatest music of his career. For many, Jeff Lynne is and always will be thought of first and foremost as the man who turned on the Electric Light Orchestra. Today, 40 years after Lynne's Orchestra first shed a little light, the luminous and heartfelt music of ELO continues to burn as brightly as ever. The vivid, artfully crafted songs that Jeff Lynne wrote and sang—and the exquisite recordings that he so expertly arranged and produced for Electric Light Orchestra—have endured beautifully and are perhaps even more beloved today than they were back in the Seventies and Eighties. By any standard whatsoever, Electric Light Orchestra is one of the most remarkable success stories in rock history. Consider just the facts: Electric Light Orchestra has sold over 50 million records worldwide, and continues to be a remarkably popular catalog. Between 1972 and 1986, Lynne wrote and produced twenty six Top 40 hits in the United Kingdom, and twenty Top 40 hits in the United States, including twenty Top 20 smashes in the UK and fifteen Top 20 smashes in the U.S. Even more remarkably, the ELO catalog continues to have tremendous impact here in the 21st Century, as demonstrated powerfully when the compilation All Over The World: The Very Best of Electric Light Orchestra was released in 2005 and became a Top 10 album hit in a number of international markets including England. Beyond all the best-known hit songs, fans everywhere continue to explore the extraordinary series of albums that combined Lynne's remarkably ambitious and accomplished craftsmanship from the group's 1971 debut—accidentally titled No Answer due to a miscommunication on a telephone about what the album would be called—through 1973's ELO II and On The Third Day, 1974's breakthrough Eldorado, 1975's Face The Music, 1976's A New World Record, 1977's double-record epic Out Of The Blue, 1979's Discovery, 1981's Time, 1983's Secret Messages, 1986's Balance of Power, as well as 2001's Zoom, the first new Electric Light Orchestra studio album in 15 years. What is it about the music of Electric Light Orchestra that endures so powerfully for millions of music lovers around the world? “It's a great question—and I wish I could answer it,” Lynne says with a laugh. "It’s nice to have songs in your catalog that stand the test of time". As global superstar visionaries go, Jeff Lynne is an unusually humble man; his story is the true tale of a sweet lad from Birmingham with a lifelong gift for making music. Not that Lynne has much to be humble about—even outside of the success of Electric Light Orchestra, Lynne has led a remarkable career that has found him taking the lessons learned leading Electric Light Orchestra and using them to help produce and collaborate with many of the greatest musical artists of all time, including a number of Lynne's all-time heroes including Roy Orbison, Del Shannon, George Harrison, Paul McCartney, Ringo Starr, and remarkably, even the Beatles themselves, as well as contemporaries like Tom Petty and Joe Walsh, whose new album Analog Man Lynne recently helped produce. Together with Harrison, Orbison, Petty and Bob Dylan, Lynne was, of course, a member of the Grammy award-winning Traveling Wilburys—a super group like no other. Even with his remarkable track record as a rock star, Lynne has never sought the spotlight. “I don't think of myself as a rock star,” Lynne says with a laugh. “I'm more of a singer, songwriter, guitarist, producer. It's more about what I do than any sort of persona.” Not that Lynne doesn't enjoy the passion that fans have brought and continue to bring to ELO's music. “I love recognition for the work, and for writing all those songs. I find it a pleasure having done so, especially now when they keep getting played more than ever. Working on the Flashback box set that came out in 2000, reminded me how much I like the music. And ever since then, it seems like ELO songs are even more in demand, especially in my house.” For Lynne, such major and ongoing success is a remarkable side effect of a lifetime of working hard in the place that has always been his musical home—the recording studio. “To me, the recording studio really became my Eldorado,” Lynne explains today. “Just to go in the studio, to be there for a few weeks at a time and use all the latest equipment, try all the amazing instruments and do harmonies—that was a total pleasure for me. In the original run with ELO, I believe that having the studio time—and also having constant deadlines at the end of it, no time to second guess—was possibly the best thing that could happen for me. Mind you, at the time, I didn't think so, probably because it got pretty hectic some of the time. My life back then was to write and produce an album, go out and tour for two or three months to support that album, then go back and make another album. Then go out on tour again. It was a non-stop cycle, and could be exhausting, but I'm proud of the music that came out of it.” For Lynne, “It all comes down to what you truly love doing, and what I love doing is overdubbing and making new sounds out of things that are sometimes quite ordinary on their own, but when you put them together, they make something new—or something that sounds new. Just discovering things like that musically is a pleasure. I love creating, more than re-creating. That's why I never really loved playing live as much. There were lots of great nights that I enjoyed, but for me it wasn't as satisfying as making the next song.” With Electric Light Orchestra, Jeff Lynne brought the world a different sound that still sounds modern, relevant and great. Asked what he's most proud of about the legacy of the Electric Light Orchestra, Lynne pauses for a moment, and then says, “I think that I stuck with it all those years and didn't waver. I just kept at it, and I'm glad I did because the songs are still out there.” The songs of Jeff Lynne have become part of our lives—in movies, in ads and most of all in our hearts—because of all of the love and care that he has always put into his music. As Lynne itself puts it, “I’ve been in love with music since I was probably just five years old. I was mad for music then—and I still am today.”