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Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: II. Tuba mirum | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 04:19 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: IV. Recordare | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 07:05 | |
Die Schöpfung Hob. XXI:2 / Zweiter Teil : Haydn: Die Schöpfung Hob. XXI:2 / Zweiter Teil - 19. Chor mit Soli: Der Herr ist groß in seiner Macht | Edith Mathis, Francisco Araiza, José van Dam, Wiener Philharmoniker | 02:48 | |
Christen, ätzet diesen Tag, Cantata BWV 63 : J.S. Bach: Christen, ätzet diesen Tag, Cantata BWV 63 - III. "Gott, Du hast es wohl gefüget" | Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | 07:24 | |
Le nozze di Figaro, K.492 / Act 2 : Mozart: Le nozze di Figaro, K.492 / Act 2 - "Bravo! Che bella voce!" | Gundula Janowitz, Edith Mathis, Tatiana Troyanos, Orchester der Deutschen Oper Berlin | 01:01 | |
Le nozze di Figaro, K. 492 / Act 3 : Mozart: Le nozze di Figaro, K. 492 / Act 3 - Sull’aria ... Che soave zeffiretto | Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | 00:54 | |
Le nozze di Figaro, K. 492 / Act 3 : Mozart: Le nozze di Figaro, K. 492 / Act 3 - "Riconosci in questo amplesso" | Edith Mathis, Patricia Johnson, Martin Vantin, Hermann Prey | 04:48 | |
Le nozze di Figaro, K.492 / Act 2 : Mozart: Le nozze di Figaro, K.492 / Act 2 - "Vieni, cara Susanna" | Gundula Janowitz, Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin | 03:17 | |
Le nozze di Figaro, K.492 / Act 1 : Mozart: Le nozze di Figaro, K.492 / Act 1 - "Via resti servita, madama brillante" | Edith Mathis, Patricia Johnson, Orchester der Deutschen Oper Berlin, Karl Böhm | 02:20 | |
Bereitet die Wege, bereitet die Bahn, Cantata BWV 132 : J.S. Bach: Bereitet die Wege, bereitet die Bahn, Cantata BWV 132 - I. "Bereitet die Wege, bereitet die Bahn" | Edith Mathis, Münchener Bach-Orchester, Karl Richter | 07:43 |
New releases from Edith Mathis on Deezer
by Edith Mathis, Wolfgang Amadeus Mozart, Julia Hamari, Wieslaw Ochman ...
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Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer : Mozart: Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer - 1. Introitus: Requiem / 2. Kyrie | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: I. Dies irae | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: II. Tuba mirum | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: III. Rex tremendae |
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Born on February 11, 1938, in Lucerne, Switzerland, Edith Mathis is an award-winning soprano who specializes in interpreting the works of Wolfgang Amadeus Mozart, although she also performs the works of other classic composers. She is best known outside of classical music circles for her duet with Gundula Janowitz on a segment of Le Nozze di Figaro that was featured in the 1994 film The Shawshank Redemption. Edith Mathis made her operatic debut in Die Zauberflöte in 1956 which led to more stage experience over the next three years. She made her international debut in 1959, performing at the Cologne Opera in Germany. She continued her career with performances at the Glyndebourne Festival yin Hamburg, Germany and at the Salzburg Festival in Austria. In 1970, she made her debut at the Met in New York City, and at Covent Garden (The Royal Opera House) in London, England. While she has performed in many of Mozart’s operas – including Le Nozze di Figar, Don Giovanni, and Cosi Fan Tutte – Edith Mathis has also earned critical acclaim for her roles in Richard Strauss’ Der Rosenkavalier, Weber’s Der Freischütz, Menotti’s Help, Help, the Globolinks!, Henze’s Der Junge Lord, and others. Throughout her career, she has been honored with many awards including the International Mozarteum Foundation’s Mozart Medal and the Prix Mondial du Disque. Edith Mathis’ acclaimed catalog includes titles such as Handel’s Neun Deutsche Arien (1966), Beethoven’s Fidelio as Marcellina (1969), Berlioz’ La damnation de Faust as Marguerite (1973), Brahms’ Volkslieder, Volks-Kinderlieder (1975), and others. She’s also recorded some of Mozart’s works several times including his beloved Requiem, which she performed with the New Philharmonia Orchestra & Chorus (1963) and the Wiener Philharmoniker (1971).