1 529 fãs
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: IV. Recordare | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 07:05 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: II. Tuba mirum | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 04:19 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 6. Benedictus | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 06:54 | |
Wachet auf, ruft uns die Stimme, Cantata BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, Cantata BWV 140 - VI. "Mein Freund ist mein!" | Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | 06:23 | |
Wachet auf, ruft uns die Stimme, Cantata BWV 140 : J.S. Bach: Wachet auf, ruft uns die Stimme, Cantata BWV 140 - III. "Wann kommst du, mein Heil?" | Edith Mathis, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter | 06:54 | |
Le nozze di Figaro, K.492 / Act 1 : Mozart: Le nozze di Figaro, K.492 / Act 1 - "Cinque... dieci... venti..." | Edith Mathis, Hermann Prey, Orchester der Deutschen Oper Berlin, Karl Böhm | 02:45 | |
Wie schön leuchtet der Morgenstern, Cantata BWV 1 : J.S. Bach: Wie schön leuchtet der Morgenstern, Cantata BWV 1 - III. "Erfüllet, ihr himmlischen göttlichen Flammen" | Edith Mathis, Münchener Bach-Orchester, Karl Richter | 05:01 | |
Du wahrer Gott und Davids Sohn, Cantata BWV 23 : J.S. Bach: Du wahrer Gott und Davids Sohn, Cantata BWV 23 - I. "Du wahrer Gott und Davids Sohn" | Edith Mathis, Anna Reynolds, Münchener Bach-Orchester, Karl Richter | 07:02 | |
25 Scottish Songs, Op. 108 : Beethoven: 25 Scottish Songs, Op. 108 - No. 9, Behold My Love How Green the Groves | Edith Mathis, Dietrich Fischer-Dieskau, Andreas Roehn, Georg Donderer | 03:13 | |
25 Scottish Songs, Op. 108 : Beethoven: 25 Scottish Songs, Op. 108 - No. 1, Music, Love and Wine | Edith Mathis, Alexander Young, Dietrich Fischer-Dieskau, Andreas Roehn | 01:22 |
por Edith Mathis, Wolfgang Amadeus Mozart, Julia Hamari, Wieslaw Ochman ...
19556 fãs
Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer : Mozart: Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer - 1. Introitus: Requiem / 2. Kyrie | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: I. Dies irae | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: II. Tuba mirum | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: III. Rex tremendae |
Haydn: Die Jahreszeiten (The Seasons)
por Sir Neville Marriner, Edith Mathis, Siegfried Jerusalem, Dietrich Fischer-Dieskau...
J.S. Bach: St. Matthew Passion, Choruses and Arias
por Edith Mathis, Janet Baker, Peter Schreier, Dietrich Fischer-Dieskau...
por Orchester und Chor der Deutschen Oper Berlin, Karl Böhm, Elisabeth Grümmer Dietrich Fischer-dieskau (baritone), Edith Mathis...
Berlioz: La Damnation De Faust, Op. 24
por Edith Mathis, Stuart Burrows, Donald McIntyre, Thomas Paul...
Mahler: Symphony No.2 - "Resurrection"
por Edith Mathis, Norma Procter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik
Mozart: Coronation Mass; Vesperae solennes de Confessore; Ave verum corpus
por Edith Mathis, Jadwiga Rappe, Hans Peter Blochwitz, Thomas Quasthoff...
Peter Schreier: Best Recordings of All Time
por Peter Schreier, Wolfgang Amadeus Mozart, Johannes Brahms
Born on February 11, 1938, in Lucerne, Switzerland, Edith Mathis is an award-winning soprano who specializes in interpreting the works of Wolfgang Amadeus Mozart, although she also performs the works of other classic composers. She is best known outside of classical music circles for her duet with Gundula Janowitz on a segment of Le Nozze di Figaro that was featured in the 1994 film The Shawshank Redemption. Edith Mathis made her operatic debut in Die Zauberflöte in 1956 which led to more stage experience over the next three years. She made her international debut in 1959, performing at the Cologne Opera in Germany. She continued her career with performances at the Glyndebourne Festival yin Hamburg, Germany and at the Salzburg Festival in Austria. In 1970, she made her debut at the Met in New York City, and at Covent Garden (The Royal Opera House) in London, England. While she has performed in many of Mozart’s operas – including Le Nozze di Figar, Don Giovanni, and Cosi Fan Tutte – Edith Mathis has also earned critical acclaim for her roles in Richard Strauss’ Der Rosenkavalier, Weber’s Der Freischütz, Menotti’s Help, Help, the Globolinks!, Henze’s Der Junge Lord, and others. Throughout her career, she has been honored with many awards including the International Mozarteum Foundation’s Mozart Medal and the Prix Mondial du Disque. Edith Mathis’ acclaimed catalog includes titles such as Handel’s Neun Deutsche Arien (1966), Beethoven’s Fidelio as Marcellina (1969), Berlioz’ La damnation de Faust as Marguerite (1973), Brahms’ Volkslieder, Volks-Kinderlieder (1975), and others. She’s also recorded some of Mozart’s works several times including his beloved Requiem, which she performed with the New Philharmonia Orchestra & Chorus (1963) and the Wiener Philharmoniker (1971).