Artist picture of Akademie fur Alte Musik Berlin

Akademie fur Alte Musik Berlin

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Die Zauberflöte, K.620 : 29. Auftritt. Duetto, Papageno, Weib : "Pa - Pa - Pa" Daniel Schmutzhard, Daniel Schmutzhard, René Jacobs, Akademie für Alte Musik Berlin and Sunhae Im, René Jacobs, Akademie fur Alte Musik Berlin 02:59
Le Portrait musical de la Nature ou Grande Simphonie in G Major: V. L'inno con variazioni - Coro Allegro con brio - Andantino Akademie fur Alte Musik Berlin, Bernhard Forck 04:53
Selig ist der Mann, BWV 57: VIII. Choral "Richte dich, Liebste" Members of RIAS Kammerchor, Akademie fur Alte Musik Berlin, Raphael Alpermann 00:47
Die Zauberflöte, K. 620: Ouvertüre Akademie fur Alte Musik Berlin, Akademie für Alte Musik Berlin and René Jacobs, René Jacobs 06:01
Coronation Anthems, Zadok the Priest, HWV 258 RIAS Kammerchor, Akademie fur Alte Musik Berlin, Justin Doyle 05:31
Violin Concerto in G Minor, BWV 1056R: II. Largo Isabelle Faust, Akademie fur Alte Musik Berlin, Bernhard Forck 02:52
Die Zauberflöte, K.620 : 7. Auftritt. Nr. 14 Arie, Königin : "Der Hölle Rache kocht in meinem Herzen" René Jacobs, René Jacobs, Akademie für Alte Musik Berlin and Anna-Kristiina Kaappola, Akademie fur Alte Musik Berlin, Anna-Kristiina Kaappola 02:55
Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro Akademie fur Alte Musik Berlin 01:42
Ich hatte viel Bekümmernis, BWV 21: Sinfonia Akademie fur Alte Musik Berlin, Bernhard Forck 03:05
Matthäus-Passion : Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen RIAS Kammerchor, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin and René Jacobs, Staats- und Domchor Berlin, Akademie fur Alte Musik Berlin 08:31

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Biografia

Grammy-winning, globetrotting chamber orchestra Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) came from behind the Iron Curtain in East Berlin in 1982, intrigued by the increase in interest in period-accurate instrumentation that was percolating elsewhere in the classical world. The group was able to break out globally after the reunification of Germany in 1990, and embarked on multiple decades of prominence in the period-instrument world, highlighted by collaborations with figures like Belgian conductor René Jacobs and Italian mezzo-soprano Cecila Bartoli. The unit was nominated for a Grammy in 1999 in the Best Small Ensemble Performance category for its recording of Scarlatti: Il Primo Omicidio, and was the backing orchestra for Bartoli’s Grammy-winning Dreams & Fables - Gluck Italian Arias in 2001. They have also delved into the dance world and performed alongside several prominent modern dance troupes, and have headlined opera houses and festivals around the world, including the Innsbruck Festival of Early Music and at Carnegie Hall in New York.