Artist picture of Andy Shauf

Andy Shauf

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Top canciones del artista

The Magician Andy Shauf 03:51
Everything Apart Foxwarren, Andy Shauf, Darryl Kissick 04:16
Sunset Canyon Foxwarren, Andy Shauf, Darryl Kissick 04:20
To Be Foxwarren, Andy Shauf, Darryl Kissick 02:54
I'm Not Falling Asleep Andy Shauf 02:54
Early to the Party Andy Shauf 04:05
Satan Andy Shauf 03:16
Neon Skyline Andy Shauf 03:38
Spanish On The Beach Andy Shauf 02:34
Call Andy Shauf 02:59

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Canadian musician Andy Shauf pens songs that explore universal truths through picaresque vignettes, from the colorful people-watching observations of 2016’s The Party to the tale of a failed relationship explained over one night at a local watering hole on last year’s The Neon Skyline. But Shauf has never exactly been held up as a confessional sort of songwriter, even though underneath the carefully plotted narratives and conceptual storylines, he’s always been writing about himself. Wilds might change that. A collection of nine songs culled from around fifty tracks recorded by the prolific Shauf during the writing of The Neon Skyline and presented in a near-unfiltered form, the unstudied rawness of the songs on Wilds is a revealing look at Shauf’s mindset during the time he was writing Skyline—what he calls “a glimpse into the window of how chaotic things were”—as well as a peek into the creative process behind a proper Andy Shauf studio album, a snapshot of how the multi-instrumentalist first begins building his songs into more ornately arranged final products. Though it’s not necessary to be familiar with The Neon Skyline to “get” Wilds, this new collection certainly can be interpreted as a companion piece to that record, a revisiting of the doomed lovers throughout various stages of their relationship. The songs are presented here in their most nascent shape; Shauf playing all the instruments, coming up with the arrangements on the fly, and recording it all himself to “a little tape machine” in his studio in Toronto. For an artist known for his elaborate and at times symphonic musical arrangements, Wilds might seem like a left turn into tatty indie rock; full of lo-fi tape hiss, vocals that edge into the red, whispery drums, and an imperfect “in the room” feel. These are the songs in their purest form, untouched by overthinking or editing, with all imperfections left in. On many of the tracks, you’re hearing the sound of Shauf recording his ideas down as they happen, playing the tunes for the first time. “It was kind of like, if there's a spot and I come up with a part for it in the next hour, that's what it's going to be,” says Shauf. “They’re quick ideas and kind of quick sketches. The arrangements are really concise and there's not much decoration to it. Everything's just utility.”