Spanish musician, composer, and visual artist.
Uniquely multifaceted musician and composer, Jordi Forniés, is a creative visionary hailing from Spain and based in Singapore. Fluent in multiple professional disciplines, including music, composition, painting, sculpture, chemistry, marketing, and international business development he is ever-evolving and driven by an insatiable curiosity. Forniés has built an extraordinary body of work by exploring and combining these worlds to tell multidimensional stories with a voice all his own.
As an artist, Forniés desires to speak clearly and directly with audiences; now, in a burst of creative energy, and after finishing a Masters in Fine Arts in Music Composition and Orchestration, the longtime pianist has discovered a powerful new way of doing so: through writing music. In September 2023, Fornies signed with Decca Records US and released his first single under the label, “A Letter Of Love With No Words.”
Forniés’s deepest artistic roots are music and painting, and at night they seem to weave together in expansive creative possibilities. “I listen to a lot of music when I am painting, sometimes creating melodies. I have to compose at night.” The same goes for the listening experience: “You have to listen to it at night…you will feel the music is different.” His music exudes a soft, silvery quality, while at the same time being very much awake.
Music and visual art have together formed the core of Forniés’s creative practice and identity since his earliest years. He grew up in the small city of Huesca, Spain as the youngest of seven children, and from early on felt different from everyone around him. His artistic practices brought a deep sense of fulfillment and achievement. “I was painting, I was creating, I was imagining different worlds. I wanted to be the kid that brings amazing things,” Forniés said. From age seven he trained at the Conservatorio Profesional de Musica de Vila-seca outside Barcelona, immersing himself in rigorous studies for three hours every day after primary school. He gained technical skills, sang in choir, performed, traveled to Paris, and auditioned at competitions. A devoted student, Forniés was undeterred by the lack of a piano at his home; when away from school, he practiced fingerings on a piece of wood painted with keys. Along the way, he was always painting, having taught himself how after being intrigued by a canvas hanging in his home.
Forniés loves to learn. With his early-established diligence, after high school Forniés embarked on an ambitious educational journey across multiple leading universities and academic fields. First, he studied chemistry, ultimately earning a PhD while working at and publishing scholarship for the French National Centre for Scientific Research. Eventually, he pivoted into industry, creating statistical models for major multinational corporations across Europe before earning a Master’s in Marketing and Communication anagement from Barcelona’s Open University.
While living in Dublin, Forniés flourished as a self-taught painter alongside his prodigious career in science and business. (Of his ability to work so intently at art during this period, he says, “The weather in Ireland is not great. Everybody knows.”) Demand for his artwork surged, and after he had the opportunity to reallocate to Singapore in 2013, he decided to pursue his first formal training in visual arts: a Master of Arts from Goldsmiths, University of London/Singapore's LASALLE College of the Arts, followed by a Master of Fine Arts from the University of Sydney.
Forniés’s recognition as a visual artist now spans the globe. His work has been featured in over 50 solo exhibitions in 10 countries, including in galleries such as Castell de Vila-seca in Tarragona, Spain, the Swatch Art Peace Hotel in Shanghai, La Cité Du Temps’ Nicolas G. Hayek Center in Tokyo, and The Institute of Contemporary Arts in Singapore, and is held in public collections such as the Spanish National Historical Heritage Collection, the Office of Public Works of Ireland, the Museum of Contemporary Art of Tarragona in Spain, and Ireland’s Trinity College, as well as those of corporations including Meta Inc, Swatch, KPMG, and Deloitte.
Forniés brings the intellectual rigor of his scientific background to all of his artistry. Of his process, he says, “as an artist I am focused on research…I have a question. I do research. Then exploration. And then I bring my conclusion, as if I was writing a thesis.” He also draws on a profound knowledge of materials and resultant sense of experimentation: “My experience as a chemist allows me to work with emotions, how to work with different materials that other people may not be using, just because maybe they don't think about them.” As a painter he is known for his innovative use of texture and materials, such as extruding plastic, or injecting ink with magnetic liquid so it moves without the touch of a brush. In 2017, Forniés posed an inquiry that would yet again transform his career. He wanted to explore form as it relates to sound and visual art: how can sound express visual art through form, and vice versa? How does each rely on our experience of time? His project Sonance: Sound as Body, Sound as Architecture, exhibited as a winner of the 2016 Chan-Davies Art Prize in Singapore, probed the question through a series of paintings and bronze sculptures. Some resembled trumpets, and others bells with humanlike, wide-open mouths. With their varied shapes and sizes, they could be struck or “played” to sound different notes, and in 2019 Forniés gave a performance to this effect at the Sydney College of Arts. To Forniés, however, the musical component of Sonance only raised more questions. It was easy enough to use the physicality of art to suggest sound—for instance, evoking music through the instrument-like shapes of the bronzes. But how can sound physically generate visual art? The idea perplexed Forniés, and he experimented with channeling frequency and soundwaves–the spatial element of sound–into his materials, changing their colors and “tones.” As he delved deeper and deeper into the nature of sound and its power to evoke an infinite number of emotional responses with just a handful of notes, he felt called for the first time to compose music.
Forniés followed the spark and resumed the musical study he’d begun in childhood, earning a Master of Fine Arts in Music Composition and Orchestration from Chichester University in the UK. The program’s emphasis on integrating composition with media, production, and technology built on his marketing experience and helped him develop the skills to create holistic, multimedia presentations of his ideas. With his commanding social media presence, he frequently shares stylized music videos for his compositions with a global audience.
An art critic once said that “Forniés’s paintings are the catalysts for memories, dreams, and hopes,” and the same holds true for his music. Many of Forniés’s works meditate on single, universal themes–love, belonging, dreams–and mirror his vibrant, abstract paintings, at once theoretical and direct. His single “A Letter of Love Without Words” honors the myriad ways people show affection. Forniés says the work was “composed to capture the essence of those amazing moments in life when love is expressed without needing a single word. It's all about those raw emotions and gestures that speak volumes, way beyond what any language can convey.” In the accompanying video, barefooted Forniés is on a canvas spread out on the floor making cathartic black swirls with Indian ink and charcoal as the playful waltz cascades through modes and colors. “A Letter of Love Without Words” builds to a moment of poignant intimacy in which Forniés’s paint-soaked hand “plays” the canvas, fingers tapping the music with the grace and sensitivity of a pianist, and his face comes into view for the first time in a strikingly vulnerable shot.
Forniés’s new music continues the vein of catharsis he began in his first full-length album, Loudly Quiet. Released in 2021, the album reflected on a year of lockdown and the stillness in his studio. With the outer world in tumult, the artist traversed an expanding inner realm with pieces like “Things Nobody Knows” and “Talking to the Wind.” The themes of Loudly Quiet also manifested as an eponymous virtual exhibition in which Fornies’ works were shown in a digital, animated museum created by 3D visualization studio AVA CGI. In December 2022, Forniés released a recording of his whimsical piece A Christmas Memory by the Budapest Scoring Orchestra.
Forniés is a born collaborator. He composed the music for Yan Wang Preston’s project Mother River, a photography and video installation exhibited at the 2015 Venice Biennale. In 2014, he participated in the prestigious artist residency at the Swatch Art Peace Hotel in Shanghai, immersing in free exchange with artists working in multiple disciplines from around the world. Forniés vibrantly wrapped a rooftop water tank in NYC’s Union Square neighborhood as part of the Water Tank Project, in which multiple artists covered tanks across the skyline to raise awareness about water scarcity worldwide. A sense of global responsibility comes naturally to Forniés. He has lived throughout Europe and Asia, and as a business executive, travels across countries such as India, Pakistan, Nepal, Cambodia and Bangladesh to develop emerging markets. With his conviction in the importance of quality education for all, he founded Upmondo, a web design and operations services company that supports projects which expand access to education for children in unprivileged regions. Forniés partnered with a local community in India’s rural Punjab to establish a primary school, and returns there regularly to teach art and English.
According to Forniés, “if I feel I can do something, I have to do it. That’s who I am.” Compelled by this philosophy, he embraces his kaleidoscope of endeavors with open-hearted sincerity, continuously working to build bridges, learn from different perspectives, and connect through creative expression.
