HEAVY Music Interviews

Interview by Kris PetersSydney hard rock/metal outfit Bare Bones are the gift that keep on giving musically.Over more than a decade in the Australian music scene, the band have never shied away from their beliefs, maintaining a DIY approach to life and music that has seen them win the respect of their peers as well as the adulation of a quickly growing fan base that pretty much doubles every time Bare Bones play at a music festival or to people that might not have heard of them before.Ferociously uncompromising on stage, Bare Bones have carried that intent into the studio with their latest EP, Ceremonial Rage (out now). Proudly - and rightfully - anointed as the band's heaviest, most aggressive slab of music to date, the five-track Ceremonial Rage sees Bare Bones more embracing their earlier and heavier musical influences, experimenting with the past just enough to put a fresh, exciting spin on their future.HEAVY caught up with vocalist Tom Kennedy this morning to chat about the EP and Bare Bones' special EP launch at Chuck Trailers in Sydney tonight. Naturally, we lead with the assessment that this is the heaviest material yet released by the band."100%, yeah," Kennedy replied without hesitation. "I think it's kind of a natural progression from where we've been going. Our music seems to get heavier each time. We put out our first full-length album, Bad Habits, and then when we went and did our second full-length, Rival Minds, people were like, this is definitely heavier and darker. And then it's just kind of been going more and more that way ever since. So kind of a natural progression. This is where we've ended up."Which leads to us asking Kennedy if the heavier direction was something they spoke about as a band during the creative process."You know what man, we've been around for like 12-13 years at this point and this EP is the first time we've ever had that conversation," he replied. "It's always kind of been like this unconscious vibe thing going into writing. It's just like, well, let's just do what we always do and get together and come up with some riffs and stuff. But this time before we started, we had that chat like, what direction do we want to take this? And for us, it's getting back to the stuff that we grew up on. Being in a band with unique, distinct personalities, you all have pretty different tastes when it comes to music and art and all that kind of stuff. But I guess the one thing that we've always loved and agreed on is bands like Slipknot, Korn and Limp Bizkit. And so we just kind of thought, let's lean into that. Let's try and give a modern take on that kind of thing and put our spin on it."In the full interview, we explored the creative journey behind each track, with Tom explaining that Cobra Clutch evolved from an industrial metal demo to a dynamic song featuring rapping, with Vertebreaker showcasing a catchy chorus and heavy breakdown.The rapid writing process for Tiger Driver was influenced by hip-hop, while Burning Hammer addresses serious global issues. Tom expressed satisfaction with the EP's direction and the reinvigoration of their passion for music, hinting at future explorations. He also provided an overview of the Chuck Trailers venue in Sydney, emphasizing the importance of free entry for fans to their EP launch on March 20 and the addition of several bands to the opening gig line up, reflecting on the community aspect of live music and the band's commitment to staying active in the scene.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

20/03/2025 • 21:20

Interview by Angela CroudaceCradle of Filth’s frontman, Dani Filth, sat down with HEAVY to discuss the band’s 14th studio album, The Screaming of the Valkyries, their evolution over the years, and the provocative themes they've explored in their music.Dani shared that the new album brings a modern sound while still nodding to Cradle of Filth’s roots, with a blend of fresh ideas and older influences. "It's a modern sound record, one step forward, but it also has a passing nod back to previous incarnations," he explained. This new direction is, in part, thanks to new members Donnie and Zoe, and the band's increased playtime during the pandemic, which helped refine their sound.Although the album doesn’t have a central concept, Dani describes it as a celebration of escapism, rituals, and vampirism. He elaborated on the inspiration behind the album’s title, revealing that it stems from the final track, When Misery Was a Stranger. The title The Screaming of the Valkyries was inspired by the impending doom of the Doomsday Clock, likening the sound of Valkyries’ screams during Ragnarok to the existential realisation of impending disaster.On the subject of religion, Dani was candid about his views, stating that while he respects others’ beliefs, he finds the notion of religion’s validity in the modern age absurd. “I think time has just worn out the message,” he said, pointing to the age of science and the contradictions he sees within religious teachings. However, he emphasised that it’s the belief itself, not the dogma, that holds value.Over the years, the band’s dynamic has evolved significantly, with Dani noting that the band and crew have become a tight-knit family. He shared a personal moment, reflecting on a recent wedding within the band, symbolising the strong bond they now share. The influence of the band's longevity and experience shows through in the new album, which recalls elements of their older works.When asked about his favourite track from the new album, Dani pointed to Ex Sanguine Draculae, a song that takes him back to the band’s earlier work in the ‘90s. “It just reminds me of the era that we did the Dusk and Her Embrace record,” he said. He also revealed the band’s collaboration with renowned producer Scott Atkins, praising his approach to refining the band’s sound and ensuring the production was sharp and true to their vision.Dani also shared that, if given the chance, he'd love to collaborate with Lana Del Rey, citing her gothic sensibilities and haunting voice as a perfect fit for Cradle of Filth's style. Fans of both artists may just get lucky one day.As for the fan experience, Dani recalled a bizarre moment in Australia when a fan gave the band a prosthetic leg as a gift, only for it to later be tossed onto the stage during a performance. "I don’t know whether it was a gift or whether we should have given it back," he mused, "We did give it back though" he confirmed.With The Screaming of the Valkyries out this week, Cradle of Filth continues to push boundaries while honoring their legacy in the metal world. Fans can expect a thrilling mix of old and new, with Dani and his bandmates at the forefront, creating music that’s as unpredictable and darkly captivating as ever.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

19/03/2025 • 18:29

Interview by Angela CroudaceLetlive’s reunion isn’t just a return to the stage—it’s an emotional and spiritual journey for the band. After a seven-year break, the group, which originally formed in 2002, has reconnected, sharing stories of their lives and realising they were all in similar places. This realisation, combined with their shared love for music and each other, sparked the decision to hit the road again. Initially, they planned a few shows, but the idea grew into a full tour that includes Australia this September.Jason Aalon Butler, the band’s frontman and son of soul artist Aalon Butler, explains that their decision to reunite wasn’t merely about nostalgia—it was a deeper spiritual alignment. The members of Letlive have evolved individually, and as a result, their relationships have become stronger. “We understand ourselves much better than when we were younger,” Jason reflects, noting how life experiences have brought them closer.The band's line up now includes new faces, like Sage Weber on drums and Skyler Accord on bass. “They just fit again because they get it,” Jason says. Their talent and energy bring something fresh to the band, creating a perfect synergy with the original members.Letlive’s sound has also evolved over the years, expanding from the punk roots of their early albums like Fake History to incorporate diverse influences, from jazz fusion to hip-hop. Jason explains that the band's goal has always been to expand their reach while remaining authentic to themselves. “We try to be as honest as we can with the art we create,” he says.After playing massive festivals like Warped Tour and Louder Than Life, Letlive is excited to return to the stage with their renewed energy. The band's live shows have always resonated deeply with fans, largely due to their raw transparency and passion. Jason emphasises, “We’re just fans of the art, and we perform as fans first.”As the band prepares to return to Australia, Jason recalls his first trip there as a pivotal moment in his career. “It felt like I had arrived,” he says. For Letlive, this September marks not jusBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

18/03/2025 • 12:46

Interview by Kris PetersAdelaide thrash metal outfit Hidden Intent have never tried to hide their influences. In fact, they have always worn them more as a badge of honour, an unmistakable pointer to their roots past, present and future.Playing a brand of 80s-throwback thrash metal - a form of music that wholly embraces its American and European roots in the Bay Area, Scandinavian and Teutonic thrash scenes - Hidden Intent have sprinkled just enough Australian flavour into the mix to cast very much their own DNA through a genre of music that is notoriously known for shunning any deviation from the normal.After years of toiling on the live circuit here in Australia, the rest of the world has finally succumbed to the brutality of Hidden Intent, earning the band a spot at Wacken Open Air on top of countless shows on foreign soil. And if you think their last album Dead End Destiny was the one that firmly swept the door ajar, then wait until you see what their next offering, Terrorform, will deliver when released on Friday, March 21.HEAVY caught up with drummer Paul Lewis to talk more."I think every album's a little bit different overall," he measured. "And this one's certainly different from the previous ones. I think there was a lot of anger on this album. It's certainly a darker one for us, and it comes through with the tunes. The process was a little bit different overall, but we've been flat out, and it's been a mad rush to get it done. We're a band that needs deadlines, so we kind of booked everything in. It's like 'you have to be done by this time or else it's not going to make it'. So we've just got over that mad rush, and now we're doing the launch on Friday.""It's definitely our most broad album we've ever done," he continued. "And, like I said, there's a lot of anger on this album. It's faster. It's heavier, but it's also lighter as well. There's a couple of acoustic things in there, which we have done a little bit of before, but not, I guess, to this extent. So on every album, we like to sort of widen our lane a little bit more. We're always going to be a thrash band. We're never going to veer away from that. It seems like every album, we like to just push that boundary just a little bit more to grow and to keep our fans guessing as well. Which is pretty hard."In the full interview, Paul explained that the writing process was shaped by both positive and negative experiences, including personal losses within the band. He went into more detail about the title track, Terrorform, which features a guest appearance from Guillermo Izquierdo, the temptations of rehashing Dead End Destiny because they know it worked, the play on words that makes up the album title, this weekend's double album launch with Headbore and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

18/03/2025 • 20:41

Interview by Kris PetersThe Superjesus have been a mainstay on the Australian rock scene for more than three decades.Their infectious music coupled with arguably one of the best live shows in the country have endeared the band to generations of music lovers since their inception in the late 1990s, with the band's debut album Sumo in 1998 spawning fan favourites such as Down Again, Saturation and Now and Then.The follow-up, Jet Age, magnified the growing popularity of The Superjesus, delivering the smash hit Gravity as well as Secret Agent Man before Rock Music rounded out the trifecta in 2003.A brief hiatus from the mid 2000s gave the band members time to reflect on their personal music ambitions before deciding the world needed more of their music in 2013. This produced an EP, Love and Violence (2016), as well as a double live album but despite The Superjesus quickly reclaiming their status amongst Australia's elite touring band's, no new music has been forthcoming.That changes this Friday, March 21, when The Superjesus (self-titled) comes out, fuelled by the success of six previous singles Money (We’re Only In It For Love), Lights Out, We Won’t Let Go Until It’s Over, Something Good, a cover of Generation X’s Dancing With Myself and beautiful ballad Diamonds. This is the new Superjesus, a more soulful, engaging version of the band we know and love where song writing is king.HEAVY caught up with frontwoman Sarah McLeod to find out more. We bring up a quote she made to HEAVY in October last year where she proclaimed "I shit you not, but it's the best stuff we've ever written", and ask if she still feels that way after the album has had more time to digest. A smile swept across her face before replying with a simple "yeah"."I guess maybe that's why I love it so much," she continued, "because I'm so connected to it. And I just feel like we've got better. I feel like we did a great job in the 90s, and we were happy with those records, but we had 10 years off, and we all went and did different music. We learnt stuff. Ruddy (Stuart, bass) was in all these different bands, and he came back with a whole library of new influences and so did I. And we're like, okay, we're the same people, but we're not really because we've learnt all this stuff. So why don't we bring in the cool shit that we've learned and make something different, but paying homage to who we were. And that's where we're at. And I think it's been really good for us. And I love it."In the full interview, Sarah expressed her excitement about the album, which has seen the release of six singles over the past 18 months. She highlighted her favourite track, Gangbusters, and explained the strategic decision to hold back some songs to build anticipation. She emphasized that while there is no external pressure, she feels a personal drive to deliver quality music, reflecting the band's evolution and commitment to their craft.Sarah shared insights into her songwriting process, noting a shift towards creating cohesive narratives rather than standalone lyrics. She discussed the challenges of balancing her solo work with that of The Superjesus, particularly in terms of lyrical content and audience resonance. The conversation also touched on the creative process, where Sarah likened songwriting to an alchemical journey that requires refinement to achieve simplicity. She said she believes that effective songs often stem from straightforward lyrics that engage audiences, a principle she strives to uphold in her work. We discussed the band's upcoming tour and what to expect musically, as well as the opportunity for local band's to open in each city and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

17/03/2025 • 18:50

Interview by Angela CroudaceBarry Johnson, vocalist and guitarist from Joyce Manor, sat down with HEAVY for a conversation about the band's upcoming Australian tour with The Wonder Years, their creative process, and life on the road. The Californian punk rockers are gearing up for a return to Australia, a place they’ve always enjoyed performing and connecting with passionate fans. With a long-standing relationship with the country, Barry shared his excitement about the tour and reflected on the band's journey.When asked what he was most excited about for this round of shows, Barry’s enthusiasm was evident. "I'm excited to be back in Australia. It’s been a while, and I love it there. The crowds are great, and the people are really easy to talk to," he said. He also highlighted the similarities between California and Australia, particularly the laid-back vibe that makes him feel at home. "Being from California, I feel like Australia is a sweet spot. It's got the surfer culture, but the humour aligns with English humour, which is something I can really relate to."Barry’s memories of past shows in Australia are fond ones, though he admitted that some moments tend to blur together. However, one standout memory remains a show at The Gasometer in Melbourne, which he described as one of the best they’ve ever played. "That show was definitely one of my favourites. It was such an amazing night, and it’s always stuck with me," he shared. Even after all these years, that performance holds a special place for Barry, ranking among the top shows of his career.The conversation then shifted to the creative side of Joyce Manor. Barry reflected on the making of Last You Heard of Me, from their 2016 album Cody, a track that went through numerous revisions before it came together. "It was one of those songs that we worked on for so long, making small adjustments until it finally clicked," Barry explained. The process was challenging, but the outcome was something the band is incredibly proud of. "It’s hard to imagine it any other way now. All the hard work paid off, and I’m really proud of how it turned out," he added.In terms of songwriting, Joyce Manor’s process has evolved over the years. Initially, Barry wrote nearly everything for the band, but as time went on, it became more collaborative. "On Cody, it was myself, Chase, and our producer Rob Schnapf working together. It’s really become a group effort," Barry explained. The band's dynamic allows them to balance creativity, ensuring that no one voice dominates while still pushing each other to create their best work.As for Barry's personal musical tastes, he admitted that while his preferences have evolved slightly over time, they remain grounded in the pop-punk and indie realms. Bands like Weezer, The Gin Blossoms, and The Smiths continue to inspire him. "I like a mix of '90s pop-punk, power pop, and '60s music. I’ve always loved a good song with strong melodies," he said. His love for the craft of songwriting shines through, and it’s clear that melody and structure remain at the heart of his musical identity.When asked about the band's daily routine on tour, Barry joked about how annoying they can be. "We speak our own weird language, and it’s a bit insufferable at times," he laughed. Despite the inside jokes and constant banter, Barry explained that the hardest part of touring is finding time for himself. "Being around people constantly can be tough. I need a little alone time, but it's hard to get that on tour," he shared, offering a glimpse into the reality of life on the road.Despite the challenges, touring remains one of the most exciting parts of being in Joyce Manor. When asked whether the band still parties on tour, Barry was quick to respond. "Oh, we definitely party. It’s one of the best parts, but it can make it hard to keep up the energy for the long haul," he admitted. Still, he’s not planning to slow down anytime soon. "I’m going to milk it for all it’s worth," he laughed.Finally, when asked about new music, Barry confirmed that the band is working on a new record, though there’s no release date just yet. "We’re about halfway through writing and recording it. It’s coming along slowly, but we’re making sure it lives up to the standards we’ve set for ourselves," he teased.As Joyce Manor gets ready to hit the road with The Wonder Years in Australia, fans can look forward to more unforgettable shows, new music on the horizon, and a band that continues to evolve while staying true to its roots. Catch Joyce Manor opening for The Wonder Years with Aussie band Suzi in March and April.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

16/03/2025 • 16:55

Interview by Kris PetersNew York trio SANHEDRIN released their long-awaited new full-length, Heat Lightning, last Friday via Metal Blade Records.SANHEDRIN has spent the last decade at the forefront of the American heavy metal scene blending traditional metal and hard rock sounds with a fresh modern energy and perspective. With 2022’s critically lauded Lights On full-length, the band had created their most complete work to date. With their follow-up, Heat Lightning, the band delivers a diverse collection of songs that wholly captures their wide array of influences with an elevated level of production.“Sonically, there’s no comparison,” notes drummer Nathan Honor when asked how Heat Lightning compares to the band’s previous efforts. “Heat Lightning is the fullest representation of the power of this band. When you take three seasoned musicians with their favourite handpicked instruments, put them in front of two brilliant producer/engineers in a studio stacked with incredible equipment and no outside distractions, this is what you get.”Unlike the previous three albums, which were all tracked and mixed by ColinMarston, for Heat Lightning SANHEDRIN opted to work with a fresh set of ears in a new environment. In doing so, the band landed at the legendary Utopia Bearsville studio in Woodstock, New York. At the helm for recording and co-producing were Matt Brown (Life of Agony, A Pale Horse Named Death) and Jerry Farley (Sick Of It All, Madball).Heat Lightning gets its title from the second track of the same name. “Heat lightning is a flash of lightning from very far away, sometimes seen in a clear sky,” says vocalist/bassist Erica Stoltz. “It is used as a metaphor for where we see ourselves at the moment in relation to climate change. Collectively, we have moved further away from our direct relationship to nature and have adopted a paternal relationship with the natural world, as if we have control. It was one of the first songs written for the album, and one of the most dynamic tracks the band has ever written."Elsewhere, The Fight Of Your Life is a tribute to those we call “lifers” in the music business. “It’s about the compulsion to play music no matter what. When you get the bug, and you have it for life, it is your north star, your reason to be,” says Stoltz. Franklin County Line is the fastest song on the record, and inspired guitarist Jeremy Sosville’s hometown and surrounding area in northern New York state. Sosville recounts, “Erica and Nathan came up to visit me and work on new music. In the process, we wrote a song inspired by the local Amish population but with a naughty twist.”The record commences with Blind Wolf, a hard-rocking, heavy metal stomper and the record’s lead single. Lyrically, the song is inspired by the band’s shared fascination with cults. According to Stoltz, “The blind wolf symbolizes losing your animal instincts as a result of adopting someone else's belief system.” The song is straightforward, pounding, and delivered with ill intent. “We knew as soon as the song was complete that it should open the record,” says Sosville. “It really sets the tone for the journey the listener is about to take with this album.”HEAVY caught up with Sosville to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15/03/2025 • 11:32

Interview by Kris PetersWhen The Dillinger Escape Plan bid their fans farewell at the end of 2017 the resulting ripples in the live community could be felt around the world. Despite leaving at the top of their game, DEP still left more than a few fans with an overwhelming sense of loss, especially those who had heard about the band's legendary, aggressive and all encapsulating live performances, but never got to witness it first hand.Formed in 1997 by guitarist Ben Weinman and vocalist Dimitri Minakakis, DEP soon forged a name for themselves on the back of their high intensity, often violent live, reckless shows, the band had an immediate impact with their 1999 debut full-length Calculating Infinity. Among the first people to jump on board was Mike Patton, who invited DEP out on the road for two months with Mr. Bungle, further strengthening their claims as eclectic and tumultuous trailblazers on the metal scene.Minakakis left the group after that album, with Patton providing vocals on an EP before Greg Puciato submitted a recording which led to him being asked to audition, and the rest is metal history.After five more albums, DEP officially disbanded in 2017, with Minakakis joining the line-up on stage over the last two performances on December 27 and 28. It seemed a fitting finale for the band who had turned heavy metal on its head over the course of their career, and despite everyone's obvious disappointment, the legacy of DEP would live on forever.Now, following an 8-year hiatus, The Dillinger Escape Plan return for a very limited number of live shows to commemorate their groundbreaking album Calculating Infinity and so much more, hitting Australia this August for a run of shows. HEAVY caught up with Ben Weinman to find out more."We never, ever think about performance, or things like that," he mentioned during the interview. "We always try and be completely uninhibited expression, and that's very important to us. Sometimes I don't even really wanna look out at the crowd, even at soundcheck or anything. I don't wanna have any indication of what to expect, and it's continued to be that way. Although, I think back in the day when we were first writing these songs we had a lot more people looking at us with disgust (laughs), than with enjoyment."We ask if he has to put himself in a mindset before getting on stage."For me, I can say one of the main aspects of turning on the Dillinger performance is that I'm always nervous," he revealed. "I'm never not nervous. I've never stepped on stage un-nervous. I still feel to this day everyone out there's gonna hate us. We're playing to a pack of wild wolves, and it's just stayed with us. Maybe it's just trauma from when we were younger, but I feel like we wrote music that wasn't supposed to be enjoyed (laughs). And we really wrote an album that was just for us, and it ended up working. I really feel that the fact that we're going out there still not even knowing what the reception will be to some degree - at least mentally - and the nerves is what turns it on. Because you either get up on stage and unleash the beast or you turn around and huddle into a ball and play facing the drums."In the full interview, Ben talks more about what we can expect from the run of shows, revisiting Calculating Infinity, what the album means to him 25 years on, their live intensity and how they sustain it, the early days of The Dillinger Escape Plan, having Mike Patton contribute vocals for an EP after Minakakis left, getting Greg Puciato in the band and what they expected from him, their final 1997 shows with both singers, how that planted the seeds for these reunion shows, the possibility of making the comeback permanent and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15/03/2025 • 20:03

Interview by Kris PetersIndian heavy outfit Zygnema have spent the past 18 years honing and refining their sounds from their home base of Mumbai, releasing two full length albums, one EP and a handful of singles. The band won the Rolling Stone Metal Awards in 2011, 2014 and 2016 and have performed at Wacken Open Air, Inferno Metal Festival, Osna Metal Fest as well as a few independent shows/tours in Europe.Zygnema recently unveiled their five track EP Iconic which came with two singles, but the band are hoping the sustained success of their music as well as the positive reception for Iconic will see them crack wider markets including Australia.HEAVY spoke with guitarist Sidharth Kadadi to find out more.We discussed the reception to Iconic, found out more about Zygnema and their history, the musical nature of the EP, a more in depth look at each of the five songs, how their music has taken them around the world, winning prestigious awards along the way and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

15/03/2025 • 21:34

For the past 40 years, the venerated Thrash Metal outfit HEATHEN have abided by their never-say-die attitude.Formed in 1984 in San Francisco’s Bay Area—home to EXODUS, METALLICA, TESTAMENT, and DEATH ANGEL HEATHEN quickly separated themselves from the pack by expertly fusing David White’s distinctive vocals with a melody-driven and forward-thinking musical style. The band’s first two albums, Breaking the Silence and Victims of Deception, are widely regarded as Bay Area Thrash classics. The HEATHEN brand of intelligent yet aggressive Thrash appealed not only to the genre’s core demographic, but also Metal fans looking for brains behind the brawn. The most recent full-length album, Empire of the Blind, continued to push the boundaries of the genre, expanding their audience while restoring faith in vicious yet brainy Thrash Metal, the very kind that put HEATHEN on the map.Since the release of their last album, Empire of the Blind, HEATHEN has toured nonstop, playing hundreds of shows across five continents. From the moment that the COVID restrictions lifted in 2022, the band hit the ground running, touring with contemporaries such as TESTAMENT, EXODUS, OVERKILL, and SYMPHONY X over the last three years. Recorded in several cities across the United States during the 2023 Bleed the World Tour, Bleed the World: Live is the perfect audio representation of the HEATHEN live show. Featuring songs from each of the band’s albums, including recent tracks such as Sun in My Hand and The Blight as well as classics such as Hypnotized and Goblin’s Blade, the live album mirrors the band’s crushing live set list. The cover artwork by Travis Smith depicts a steel HEATHEN logo piercing the bleeding Earth, held by a hand that encapsulates the world tour as a moment in time. Produced by guitarist Kragen Lum and mixed by Zeuss, Bleed the World: Live transports the listener into the concert hall with a crystal-clear yet heavy production and captures the interaction between band and audience that makes every HEATHEN live show special.HEAVY caught up with Lum for a chat earlier today, starting with the early response to the album."All the feedback that we've gotten so far has been great," he smiled. "One person mentioned that it was like, if you closed your eyes, you were there at the show. And that was exactly what we were trying to do. We made sure that when we were recording, we recorded not just the band, but also the audience at every show so we could really get the live album feel. Those classic live albums that we used to love - Live After Death and many other ones - you feel like you're there because the audience is so prominent. The feedback from the crowd and everything in the song. And I think modern live albums are missing that because a lot of bands record the show, but they don't record the audience, and you're kind of missing an important element to the live show."In the full interview, Kragem spoke more about what to expect from Bleed The World: Live, the early feedback, if the band approached the concerts any differently knowing they were being recorded for an album, the process of putting together the tracks and selecting them, how critical the band members were of themselves when they listened back through, how they made every effort to replicate the live sound on the album, his early experiences with Heathen before joining, if there was any pressure on him coming into an established band and how long it took him to feel comfortable, their strike record of one album every ten years and if they plan to speed up that process moving forward, the possibilities of coming to Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

14/03/2025 • 12:16

Interview by Angela CroudaceTravis Stever, guitarist for both Coheed and Cambria and L.S. Dunes, is a musician who thrives on creative challenges. In an interview with HEAVY, Stever reflects on the evolution of Coheed’s sound, the ongoing exploration of new musical landscapes, and the balance between his two distinct musical worlds.When asked about Coheed and Cambria’s latest release, The Father Of Make Believe (released today), Stever notes that while the band always experiments with new sounds, what sets this album apart is the expansive exploration of styles within a familiar framework. "The box is so massive that we allow ourselves to create within it. We go outside of it, but not so far that fans will be left wondering what we’re doing,” he explains. The band continues to evolve, but as Stever points out, their willingness to experiment has been a constant, leading to albums that always surprise, yet never stray too far from their core sound.At the heart of the new album lies a theme of internal conflict, a wall within oneself. Stever shares that this theme resonates deeply within the band, particularly in how personal growth and struggles are reflected in the music. He describes the songwriting process as a journey of self-acceptance, where overthinking gives way to simplicity and beauty. "You realise life doesn’t need to be so complicated," he muses, pointing to the sense of peace the band has found in their evolution as both artists and individuals.Stever's dual role in Coheed and Cambria and L.S. Dunes, another band that offers a more collaborative and raw sound, presents an interesting dynamic. The contrast in approach is striking. "In Coheed, it’s Claudio’s songs, and I add my identity to them," Stever explains, noting that his role is often about enhancing Claudio Sanchez’s vision. However, with L.S. Dunes, the creative process is more democratic, with everyone contributing equally. "It’s more of a group consciousness," Stever discusses the band's writing approach, highlighting how the collaborative effort—where he adds his own contributions to the ideas brought forward by fellow guitarist Frank Iero—injects a unique energy into their music.Touring is another key topic, and Stever is excited about the possibility of returning to Australia. Reflecting on his previous experiences, including Coheed's headlining spot at Australia’s Monolith Festival, Stever fondly recalls the intimate connection the band had with the audience. "Tasmania was mind-blowing," he says, sharing his appreciation for the passionate Australian fans. With talks of a 2025 Australian tour, Stever hopes the band can return and continue fostering that special connection.Finally, Stever offers insight into the evolution of L.S. Dunes' sound, specifically the band’s latest record, Violet. The song's optimistic tone marks a departure from the darker, more confined themes explored in Past Lives. Stever attributes this shift to the personal growth of the band’s members, especially lead vocalist Anthony Green, whose newfound sense of balance and self-awareness has directly influenced the band's sound and lyrical direction.Stever reflects on the growth of both Coheed and Cambria and L.S. Dunes, emphasising that the journey of artistic expression is always ongoing—full of challenges, rewards, and an ever-expanding soundscape.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13/03/2025 • 16:03

Interview by Kris PetersWhen Adrian Smith (Iron Maiden) and Richie Kotzen (The Winery Dogs) first joined forces for their debut self-titled album in 2021 it was as though the music Gods had finally listened to our prayers. Here were two of possibly the greatest guitarists of the modern era in their preferred genres, forming a sonically unlikely union that most feared would be a one-time merging of passions that dissipated once both parties overcame yet another musical challenge to emerge triumphant.Blending both guitarists' loves of music, that first release was a smouldering mix of hard rock, blues, groove and R & B with splashings of metal and attitude where it mattered. The fact that both Kotzen and Smith shared guitar, bass, vocals, composing and production duties on the album added to the allure of their music, each contributing different sides of their musical psyche while experimenting with sides that were either dormant or previously non-existent.It was that good.But, as is their right, Smith and Kotzen played their cards close to their chest over the ensuing years, neither fully committed or non-committal to a second helping. As the years ticked over it seemed less likely that we would hear another record from Smith/Kotzen before the announcement came late last year that round two was certainly on the cards and that the friends and celebrated musicians had each found time in their busy schedules to start on the next whirlwind of expectation that a new album inevitably brings.Thus Black Light/White Noise was introduced to the world, and after being teased with two singles that bear the names of each individual component of the album title, we are fast approaching the finish line when album number two is set free in the world on April 4. Black Light/White Noise is a truly magnificent collection of songs that stands shoulder to shoulder with some of Smith and Kotzen's finest work to date. Atmospheric, ambitious, diverse and brilliant, it not only features stratospheric guitar solos and phenomenal rock vocals but soulful touches, intricate playing, beautiful songwriting and an assured poise and style that brings to mind a host of legendary bands and musicians (Thin Lizzy, Jimi Hendrix, Prince, Cream, Free, Deep Purple) yet is undeniably the work of Adrian Smith and Richie Kotzen in perfect harmony.With the release date rapidly approaching, HEAVY jumped at the chance to spend some time with Adrian Smith, after we had the pleasure of speaking with Kotzen the first time around. We get straight to the point, reiterating claims from most who have heard the new album, who say it is quite possibly the best slab of music either of them has done individually or together. Then follow up by asking if they are right."Well…" he measured. "You write the songs the best you can, and you play them the best you can. I think… I think this is a more consistent album than the first one. It's probably a little more up-tempo. Obviously over time, Richie and I developed our writing relationship. Our playing relationship, I think, has gone from strength to strength."Black Light/White Noise ticks all of the boxes you would expect and more. There's guitar solos, funk, groove, blues, hard rock and more guitar solos but the overriding thing HEAVY took out of our listen was that it sounds like Smith and Kotzen genuinely had fun and enjoyed the process."I play music because I wanna do it, anyway," Smith replied. "But yeah, it's fun. Richie and I are friends and have been for the best part of ten years. I live part time in America. I'm over there usually around Christmas, and we met up one year - I had a party at my house - and we started jamming Bad Company and Stevie Ray Vaughan and all that blues and someone said you guys should write together so that's what we ended up doing. And we did it because it was fun and we thought we had something to say as well. I take a lot of inspiration from 70s music. I grew up and that music had a massive effect on me when I was a kid - it changed my life - so I take that as my basic inspiration. Then you try and take that to another level. You try and use it as an ingredient and write songs that stand up on their own."In the full interview, Adrian discusses the singles released and how they represent the overall album, their extra emphasis on collaboration this time around and how it impacted the finished result, the album title and how it combines two album tracks to create a mental image, the creative process and how they harnessed their individual talents into a cohesive unit, his favourite tracks on the album, taking Smith/Kotzen into a live setting and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13/03/2025 • 15:52

Interview by Angela CroudaceHEAVY had a chat with Austin Mileto, lead guitarist of Sisters Doll; the band's journey and their latest album Scars were explored in detail. From their glam rock beginnings to their evolution as a band, Sisters Doll's unique sound and captivating stage presence have resonated with audiences worldwide.The name, Sisters Doll, was inspired by the glam rock aesthetic they sought to embrace. Austin shared that they were drawn to the bold, colourful looks of bands like Twisted Sister and New York Dolls. Their name, created by the band’s singer Brennan Mileto, stuck because of its catchy syllables and the visual impact it invoked.Scars marks a significant chapter in the band’s story; after a long hiatus since their 2017 release All Dolled Up, the band poured their personal experiences into the album, with each track symbolising a different scar from their lives. Austin explained that the inspiration came naturally, shaped by the challenges they faced both personally and professionally. The band worked remotely during COVID to demo and refine their songs, collaborating with producer Ricki Rae to shape their latest sound.Sisters Doll's musical influences are diverse, ranging from classic rock icons like Kiss and Van Halen to contemporary artists like Machine Gun Kelly and Olivia Rodrigo. Austin revealed that while their core sound remains rock and roll, the band's individual tastes—ranging from country to flamenco—bring unique textures to their music.Austin also shared stories from the band's early days, including a memorable tour experience where the band’s van broke down multiple times, testing their endurance. But with persistence and support from their family (especially their sweet mother who rescued them roadside), they powered through, learning valuable lessons along the way.Looking ahead, the band is gearing up for an exciting USA tour, including a performance on the Monsters of Rock Cruise, where they’ll share the stage with some of their heroes, such as Extreme and George Lynch. An incredible achievement for this band of brothers—quite literally, all four members are siblings! Hailing from Western Australia, they were propelled to musical success at an impressively young age. Despite their rising fame, they continue to reach new heights while maintaining a refreshingly down-to-earth charm that resonates with fans worldwide.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13/03/2025 • 21:42

Interview by Kris PetersDriven by a desire to rise beyond their surroundings in the picturesque yet isolated region of Victoria, British Columbia, Canada, vocalist Courtney Laplante and guitarist Mike Stringer combined to form Spiritbox in 2017.Little did they know their musical trajectory from there would be swift and monumental, cementing themselves as a household name in the Summer of 2020 with the release of their blistering breakout single Holy Roller, along with a host of other captivating singles shortly after resulting in a media firestorm of hype.The following year Spiritbox released their debut album Eternal Blue, kicking open the doors of the heavy metal scene and rewriting the genre's playbook with 12 stunning tracks that incorporated everything from djent and post-metal to infectious synth-laden pop sensibilities and cinematic arrangements, brought fully to life by the inimitable Laplante's ethereal and commanding vocal performances.After furthering their sonic expansion over two more EPs Spiritbox have now unleashed their sophomore album, the mesmerizing and ferociously beautiful Tsunami Sea, once more pushing the boundaries of acceptance in a genre that is often restricting by nature. It is an album of contrasting styles and emotions, majestically entwined with the DNA from which Spiritbox have built their empire.There is a storm coming indeed, and that storm is called Tsunami Sea.HEAVY spoke with Laplante to discuss things in more detail."A lot of work went into it with the planning," she mused. "When we do a full-length album it's usually - if you do it more traditionally like how we are doing this one - a whole dramatic, climactic roll out. You start promoting it. You want to give it a fair shot. So you start promoting it early, and it's just this huge big climactic thing. Like you said, it's like D Day."We ask Courtney to dive into the musical side of Tsunami Sea and what the band were going for with it."I don't normally say this until after the album comes out, but all of our work… everything. Everything we've ever made, any body of work is actually a concept album but we don't market it as a concept album," she revealed."This one is no different. Each body of work has its own little story and the story of this one is… it's just representing, lyrically, myself, and then instrumentally Michael expressing the push and pull that we feel being from an island off the West coast of Canada. It's interesting living there if your goal is to leave the island and go play your music to other people. As you guys know too. it's the same that a lot of Australian bands think sometimes as well when they're trying to leave. You feel so remote and isolated and it feels impossible to leave. And then you leave and you miss it. That really intertwines with me with depression. Like, deteriorating mental health. There's the deep depression and then there can be mania then deep depression, and it's so polarizing. It reminded me of the ocan and it reminded me of growing up surrounded by water and it reminded me of how where are from… whre we are at sea level if the big earthquake - everyone here calls it The Big One - ever happens, our whole island will either completely be submerged by water and we'll all die, or at least we'' be more cut off and no-one could get us any food or anything. It's kind of like that existential dread under the surface that you push down and suppress and to live your life you have to push it all the way down, and not every day wake up and hope it's not today."In the full interview, Courtney opens up more about Tsunami Sea, the temptations of rehashing the same winning formula that worked so well with Eternal Blue, why it was important to not do that, album opener Fata Morgana and why it was chosen as first point of contact, how Tsunami Sea represents Spiritbox moving forward, the early days of the band and the climate that spawned them, their early success and how they dealt with it, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

13/03/2025 • 21:49

Interview by Kris PetersRenowned doom metal merchants PALLBEARER make their return to Australia in March 2025 for an electrifying tour, promising to deliver their signature blend of haunting melodies and crushing riffs. Joining them on all dates will be special guests UK doom metal titans CONAN.The 2024 release of Mind Burns Alive finds Pallbearer navigating the space between disquiet and serenity with a singular intensity. At times poetic and blistering, their fifth full length is a heartfelt meditation on isolation, trauma and mental breakdown, framed by the possibility of redemption and the quiet aching beauty of escape.Known for their colossal riffs and unrelenting heaviness, Conan has carved a unique niche in the metal scene, drawing fans with their atmospheric yet punishing sound. This tour comes on the heels of their critically acclaimed album, Evidence of Immortality, which showcases their evolution while staying true to their doom-laden roots.HEAVY spoke with Pallbearer frontman Brett Campbell before he boarded the flight to find out what we can expect..In the interview Brett told us what has changed with the band since their last visit eight years ago, what to expect from their live show, choosing Conan as touring partners and why, their recent album Mind Burns Alive and how much of that they will be p[laying, the reaction to that album, gauging an albums' success in the modern era, the early days of the band, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

11/03/2025 • 11:20

Interview by Kris PetersFeeder delivered two monster albums in a row, 2001's Echo Park and 2002’s Comfort In Sound, establishing themselves as one of the UK’s biggest and most loved rock acts. But that was merely the beginning. While most of their peers faded away, Feeder cemented their place as one of the most enduring acts in modern rock with over 20 million albums sold, multiple number 1 albums in the UK charts, and a legacy of unforgettable live performances.Always masters of marrying the light and the dark, illuminating the shadowy corners of their world to uncover something poignant and uplifting, their anthemic alt-rock songs packed with emotional depth and intensity have earned a devoted fan base around the globe.Feeder continue to cement their legacy with their latest release Black/Red, a double album, which is the final instalment of a trilogy of albums with and the final two parts to Torpedo.Equipped with an unrelenting barrage of rock anthems such as Buck Rogers, Feeling a Moment, Just a Day, Just the Way I’m Feeling, Come Back Around and High, Australian fans are set for an incredible treat when the Feeder juggernaut rolls across the country in April.When HEAVY spoke with frontman Grant Nicholas, he spoke more about Feeder's first Australian tour in 14 years, starting in April, after previous attempts were hindered by scheduling conflicts. He emphasized the band's dedication to creating timeless music rather than following trends and expressed excitement about the lively Australian crowds, which he compared to Scottish audiences. Nicholas discussed the challenge of developing a set list that balances new songs from their latest double album, Black/Red, with classic fan favourites, aiming for a performance that feels like a blend of a new album tour and a festival best-of set.He reflected on the significance of releasing a double album after 30 years in the industry, noting it as a major achievement, though he may not pursue another. Additionally, he shared insights into Feeder's formation in the early 1990s, highlighting their hard work and commitment to maintaining a unique identity amidst a competitive music scene, and invited fans to join them for what promises to be memorable shows.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

09/03/2025 • 09:47

Interview by Kris PetersBursting onto the scene in 2005 with a rap/metal hybrid sound that had, by then, all but vanished from the scene, Hollywood Undead almost made it a personal mission to revive the sound.By the time they released their 2008 debut album Swan Songs that mission had already been conquered and Hollywood Undead have been waging - and winning - countless battles ever since. Fans flock to their shows, so-called respectable media outlets have stuck to them like bees to honey, and even the mainstream music market have embraced the Californian metal fusion outfit with their albums and singles charting through the roof.And, despite all of these obvious pre-cursors, Hollywood Undead have never come close to selling out. Not that they have ever needed to.After far too long between visits, Hollywood Undead are on their way back to Australia, forming part of a line-up that also includes Falling In Reverse and Black Veil Brides. It is a monster line-up that has already seen most of the tour sell out. But there are limited tickets left, and if you don't manage to get your hands on one, fear not, Hollywood Undead are also doing a couple of headlining sideshows in Sydney, Melbourne and Brisbane.HEAVY caught up with vocalist Johnny 3 Tears to find out what we can expect, pointing out the quality of the line-up."It's gonna be a lot of fun, man," he smiled. "We've done five or six tours with falling and we did a tour in a van with Black Veil 10, 20 years ago. I dunno, it's been a long time. We've also been on the same festivals. We all run in the same circles so you get to know each other over time. It's very incestural (laughs)."We ask Johnny to run through any changes with the band since their last visit here."It's been ten years since we've been there, and fifteen… 2011 was the last time we did a tour in Australia, so fourteen years," he recounted. "Then we did that festival there in 2015, that's how long it's been. A lot has changed…. well, nothing's changed and a lot has changed, I guess. We're still going, we're just a few more albums in deep, we're ten years older sadly. Closer to the grave, bro but still going strong. We're very much looking forward to coming back and hopefully it's not so long between this trip and the next one."In the full interview, Johnny reveals what we can expect from Hollywood Undead live, the dynamics between themselves, Falling In Reverse and Black Veil Brides, how their headline shows will differ, how they approach support slots in terms of set lists and playing to a crowd possibly not there for them, the early days of the band and where they fit in, the impact of their debut album Swan Songs and their thoughts on the album pre-release, how Hollywood Undead have changed musically from that album to now, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

09/03/2025 • 16:50

Interview by Kris PetersFans all over the world worship DESTRUCTION as one of the biggest names in thrash metal with a 40+ year career. As part of the legendary Teutonic 4 alongside German thrash icons Sodom, Tankard and Kreator, DESTRUCTION have forged a legacy that will cement their place in metal history long after many of the bands of today have flown the coop.One of the most undisputedly important, influential and genre-defying bands in thrash metal, Destruction refuse to rest on their reputation or laurels, attacking each new album cycle with renewed vigour and dedication to their craft. Such is their influence, Destruction is one of the few bands in the world who could simply rehash each new album in the sonic image of its predecessor but despite the obvious appeal of thrash metal remaining within the confines of its own boundaries, Destruction continue to expand on their musical output while allowing the DNA that is their music to run free in their veins.Speaking of album cycles, Destruction have just unleashed their 16th beast, a raging slab of metal titled Birth Of Malice.On Birth Of Malice, scene-legend and original member Schmier once again combines his dual vocal/bass attack with crashing riffs from battleaxe masters Martin Furia and Damir Eskić, while Randy Black blasts pummelling drums to new heights. As witnessed on their previous thrash-fest Diabolical (2022), DESTRUCTION return with their uniquely raw and brutal sound, delivering merciless songs with a touch more variety and groove this time. All twelve songs from the butcher's hit with a direct, clean sound – resulting in addictive metal anthems for a new generation of thrashers.HEAVY had the honour of spending some time with founding member Schmier to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

09/03/2025 • 21:54

Interview by Angela CroudaceIn a recent chat with Nils Molin from the Swedish metal band Dynazty, we delved into the creative process behind their latest album, Game of Faces, exploring the album’s thematic depth, the challenges of creating music during post-pandemic times, and the band’s future plans.The album title reflects the duality Nils felt when writing the title track. He explained that the contrast between dark and happy sounds within the song led him to envision theatrical masks—symbolising the complex and often deceptive nature of human expression. "People are deceptive by nature," Nils noted, acknowledging the masks we wear in different situations.The album's creation wasn’t without its hurdles. Writing during a time of constant touring, the band faced the challenge of maintaining creative momentum while juggling their busy schedules. Despite this, Nils emphasized that their approach to songwriting remained consistent, prioritizing authenticity and creative freedom over any external expectations. “You just write with the same enthusiasm and inspiration you always have,” he said.When discussing the impact of their previous album’s success, particularly Heartless Madness achieving Platinum status, Nils was quick to point out that it didn’t directly alter their approach to songwriting. However, the success provided a sense of momentum and belief, fuelling their continued creativity.Looking ahead, Nils expressed excitement about performing new tracks like Fire to Fight, which he believes will resonate strongly with fans due to its energetic and live-oriented nature. Beyond the music, Nils shared his personal interests, from his love of European football to the importance of reinvention. He believes in the value of personal and creative evolution, a theme he explores in his songwriting.As for Australian fans, Nils teased the possibility of a future tour, promising that Dynazty would be looking into it soon. The band’s commitment to staying true to their roots while exploring new musical territories promises even more exciting things to come.For Nils, Dynazty represents more than just a band; it’s about five musicians sharing their love for music, creating something genuine, and enjoying every moment on stage. "We just try to play something that we like, and hopefully, others will like it too," he said.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

08/03/2025 • 17:33

Interview by Kris PetersOften life imitates art, but seldom in the way it has with melodic death metal band Dethklok who were literally given life via an animated television series when their popularity transcended the medium for which it was created, resulting in the forming of an actual band of the same name to continue the legacy that was growing rapidly before them.Basically, Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. Having transformed from a screen sensation into a real-life dynamic force, these mind-blowing shows will display the unique blend of savage instrumentation and comedic genius that has captivated audiences across the globe.Live, DETHKLOK is a multi-media powerhouse that showcases animation, comedy and brutality, excellently recreating the popular albums and animated visuals in a live atmosphere, with Australian fans of the band and/or show getting the chance to witness the band in a live setting for the first time when Dethklok descend upon this country for the Awaken Australia Tour this April.HEAVY had the pleasure of catching up with musician and show co-creator Brendon Small ahead of the shows to delve deeper into the life, birth and sustainability of Dethklok."Our show is a really exciting show," he enthused. "It's not like any other heavy metal show. We play to picture, meaning we bring in a giant movie theatre screen into the venue and every down beat coincides with a cut because we're honouring the ouvre of the entire piece of Metalocalypse. I've got Gene Hoglan on drums - a legendary metal drummer - who is the perfect guy for this gig because he is driving the entire piece. It's a complicated show for us to do as musicians. We don't look anything like the animated band (smiles) and we're not meant to. But as it turns out we sound exactly like them. So what you'll see on stage is a bunch of shadows but you're going to be attracted to the big star of the show, which is the animated piece that we show you."In the full interview, Brendon takes us behind the scenes of the performance in greater detail, explains the moving parts that come together to make it work, gives us a history on the band and animated series and how they fit together, talks about some of the guest stars they have had on the show, reveals his early vision behind the project and how it changed over the years, the dynamics between portraying a character and actually performing, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

08/03/2025 • 21:14

Interview by Angela CroudaceIt's not every day you get to chat with a band while they're deep in the chaos of tour preparations, but that's exactly what happened during my interview with ERRA's JT and Jesse Cash. The scene? Jesse roaming the aisles of a Walmart sorting out some last-minute tour merch. As Jesse explained, “Our merch guy is burning the midnight oil, and I had to run and get some things before it was too late.” Nothing says rock star quite like managing tour logistics while dodging shopping carts.Despite the unconventional setting, the conversation quickly shifted to their latest album, CURE. ERRA’s sixth studio album marks a significant creative evolution, and both JT and Jesse discussed how the band's approach has changed over time. While their past albums often focused on technical precision and complex structures, CURE introduced a more groove-based, accessible sound. JT shared, “Every time we sat down to write, we just kept getting these groovier ideas, and we just kind of stuck with it.” It wasn't a deliberate shift, but rather a reflection of where the band’s creativity took them during the writing process.Jesse, who had been diving into a mix of nihilistic media at the time, was inspired by the 1997 film Cure by Kyoshi Kurosawa. The bleakness of the film mirrored the darker, introspective themes in the album’s lyrics, like “Crawl Backwards Out of Heaven.” However, Jesse admitted that his bandmate Joseph was less than enthused by the deep, art-house inspiration. “Joseph doesn’t always have time for my 'art house bullshit,'" he laughed, citing his bandmate’s love for Fast & Furious as a source of inspiration for more straightforward ideas.Despite the shifts in their sound, the band stays true to its roots of pushing creative boundaries. When asked how they avoid formulaic songwriting, Jesse humorously responded, “I just tell JT we can't write a song that sounds like Veil of Maya,” acknowledging how self-awareness helps them remain true to their evolving style.ERRA's tour is also a family affair, with Silent Planet and Resolve joining them on the road. Jesse eagerly anticipated the tour antics, particularly the "fortress of piss bottles" famously built by Silent Planet’s Garrett Russell. While the rest of us might cringe at the thought, for ERRA, it’s just another weird tour memory to laugh about (Yeah Jesse, we hope Garrett never watches this interview either!).In the end, whether it’s touring with friends or evolving creatively, ERRA continues to prove that they’re not afraid to push the limits of metal music. As they wrap up their interview, Jesse’s final words offer a fitting end: “We go way back with them,” speaking not just of Silent Planet, but of the enduring relationships and creative passion that continue to drive ERRA forward.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

08/03/2025 • 15:28

Interview by Kris PetersAustralian music icon Diesel kick-started his Bootleg Melancholy Album Tour in December with explosive shows in Avoca Beach and Kiama, where fans got to experience the special musical language he has developed with his band of stalwarts, Richie Vez on bass and Lee Moloney on drums. Presented by New World Artists, Diesel, alongside Vez and Moloney, will resume the Bootleg Melancholy Album Tour this March in Warragul, followed by Melbourne, Launceston, Hobart, Perth, Batemans Bay, Newcastle, Sydney, Wyong, Adelaide with proceedings drawing to a close on Saturday, May 3 in Elizabeth.The two set performance showcases Diesel’s impressive career spanning over three decades, with boundless energy and vitality infused into every song, old and new, the audience will be treated to an unforgettable experience shared with music lovers nationwide. “With so much material to draw from, I’m excited to blend new songs with classics,” Diesel shares. “We make quite a bit of sound for a three-piece, and each show will reflect that energy!” Fans can expect a dynamic set list featuring perennial favourites like Tip Of My Tongue, Soul Revival, All Come Together, Man Alive, Never Miss Your Water and Cry In Shame, alongside “new family member” tracks from Bootleg Melancholy.Diesel is also excited to announce an exclusive guitar giveaway with long-standing partner, Fender. Every ticket purchased for the 2025 Bootleg Melancholy Album Tour —including those who have already purchased tickets—will automatically go into the draw to WIN a signed Squire Sonic Stratocaster Electric Guitar, there’s one guitar to be won at every show. At the conclusion of the tour, Diesel will personally draw a major prize winner, who will receive a one-on-one Zoom guitar lesson with the Australian legend—a truly unique and exciting opportunity for fans and aspiring musicians alike.One of Australia’s greatest success stories, Diesel, has spent three decades weaving his one-of-a-kind musical magic into his rock and blues-fuelled sounds, both as part of the band Johnny Diesel & The Injectors and, more recently, as a solo artist. With multiple #1 ARIA charting albums under his belt, six ARIA award wins and millions of streams alongside a legion of fans, Diesel’s creative skillset also expands beyond his own projects, with the talented artist also renowned for his work as a producer and multi-instrumentalist.HEAVY caught up with Diesel on the eve of the first show to find out more. Given the amount of touring Diesel has done throughout his career, we ask if he still gets the same enjoyment out of life on the road."There are some things that I've become more aware of that I don't like," he measured "The good thing about that is you become more aware. You can let it bother you or become more aware of it and… accept, maybe, or take steps to try and avoid. That's the good thing about experience, I suppose. When you first start you just go 'why does that happen?' or 'what do you mean?' Now, I wouldn't say that there's very few variables or surprising things. I think the most challenging thing (laughs)… let's get down to the basics. Watching the carousel go around and your gear doesn't come out. That's always a good start to the day (laughs). Which has happened. Then you think, okay, call this person. Call that person. Call music stores. You start begging and borrowing and then you have to calculate it's gonna come on that flight, but will it make it to the gig in time for the crew? This is all things that have happened, and the crowd, they're not to know. it's not their problem. That's always the biggest challenges. You always allow enough time, of course, but then it becomes like a sliding scale. How much time can you allow because you've got commitments before that and it's also the massive expense of going the day before and things like that. So you've got everyone on hold and you have accommodation and cars for an extra day. These are all big factors for a touring party."In the full interview, Diesel discusses the Bootleg Melancholy Album Tour in more detail, what to expect, the performance time over two sets, balancing each setlist, the other members of his touring band, how to win a signed Squire Sonic Stratocaster Electric Guitar at each show, future music and more including a few music and life lessons learnt along the way.Tickets and more information www.diesel.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 24:37

Interview by Kris PetersSunshine Coast’s own punk rock force, Citizen Rat, has kicked off 2025 with their explosive new single, Shut My Mouth.After a over a year of refining their sound, they’re back — bright, bold, and louder than ever. With blistering riffs, raw emotion, and electrifying energy, Shut My Mouth is a fierce statement from a band carving out their own lane in the punk rock scene.At its core the song is a battle cry for anyone who’s ever felt silenced or misunderstood. It explores the struggles of navigating life as a neurodivergent, high-energy individual, grappling with abusive self-doubt and the constant impact of others' perceptions. The track delves into the frustration of losing yourself in trying to please everyone and the self-loathing that follows when you inevitably fail. If Fugazi and The Bronx had a love child raised on of self-doubt, resilience, and introspection, it would sound like this.Having shared the stage with the likes of Civic, Total Pace, Isua and Pandemic as well as headlining festivals such as Rotten Fest and taken to the road on their own headline run early in 2024, Citizen Rat is quickly becoming one of the most exciting acts coming from the Sunshine Coast, QLD. Known for their unique vocal style, curated sound, and electrifying live shows, they’ve carved out a distinct place in Australian punk.Recorded at Airlock Studios with producer Jordan Bain and mastered by Willy Bowden, Shut My Mouth marks a new chapter for Citizen Rat. The single is out now, with the boys hitting the road this March to celebrate.HEAVY caught up with frontman Dartanyon Hutchison and guitarist Brendan Statham to find out more. One of the things we bring up is the song title Shut My Mouth. Generally song titles are directed elsewhere, as in Shut YOUR Mouth, but the way this one is written makes it a bit more personal in its direction."It's definitely intentional," Hutchison laughed. "It's… a lot of the song is rooted in self doubt and trying to navigate the world and feeling like every corner I take is the wrong decision. I know that in my heart I'm doing the right thing, but then I've got this self-doubt thing and that's the basis of the song. Just overthinking, the strss of 'why am I anxious right now?' 'What have I done wrong?' I think back on the day and I know I've done nothing wrong but my brain is telling me otherwise. I dunno… It's kind of hard to even explain."In the full interview, the boys talk more about Shut My Mouth, the song musically and how it represents Citizen Rat moving forward, how they went about restructuring their sound, upcoming singles, a future album, their musical style and where it comes from, upcoming live shows and more.March 15 - Solbar - Sunshine CoastMarch 22 - Bone Idol - ToowoombaMarch 29 - Old Bundy Tav - BundabergApril 12 - TBC - LismoreApril 18 - Greaser - BrisbaneMay 2 - Double Barrel - Sunshine CoastMay 3 - Banshee Bar - IpswichBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 19:18

Interview by Kris PetersKnoxville deathcore outfit Whitechapel have spent too long locked down allowing the creative juices to flow and are set to explode with the release of their ninth studio album Hymns In Dissonance via Metal Blade on March 7.While Hymns In Dissonance follows 2021’s Kin chronologically, the new album is somewhat of a sequel to This Is Exile thematically, the three-word title Hymns In Dissonance representing that correlation. The band started composing the new album at guitarist Zach Householder’s studio in June of 2023, following their headlining tour for The Valley. The collective stuck to a strict weekday schedule, the structure allowing for maximum creativity and minimum burnout. Householder also produced Hymns In Dissonance, which allowed the musicians to seamlessly switch gears from preproduction to recording the full album without skipping a beat.While it seems like a long wait for fans of the band, Hymns Of Dissonance is an ode to the past while taking strides into the future, promising to more than satisfy the musical hunger of long-term fans without alienating those picked up along the way.Vocalist Phil Bozeman joined HEAVY to fill us in."For fans that discovered us within the past couple of years, it will probably be a bit of a newer sound for them," he measured when asked about the sonic intensity of Hymns In Dissonance. "But for people who have followed us for longer than that - from the early days - it's gonna be… it's gonna be familiar territory for sure."We press Bozeman on that notion and ask if the album's musical direction is something the band sits and discusses in the creative process."Being in a band it's very…" he paused, searching for the right way to express himself. "Things come in waves. We're very inspired by a lot of different types of music, a lot of it being hard, death metal and stuff like that, but I think that we were all just having that itch to write something really heavy and extreme again. This is the 40-year-old version of us coming up with that instead of the young kid version, the 21-year-old version of it."In the full interview Phil further discusses the musical nature of Hymns In Dissonance, the writing process which involved working to a schedule, how he personally defines heaviness in music in the modern age, the decreasing universal focus on having to get a flow to your albums due to streaming and the current trend of singles over albums, the lyrical thread of the album and the central characters, road testing the music live and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 16:43

Interview by Kyra-Jade Coombs and Angela CroudaceKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands.Today we catch up with MISS MAY I.Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 12:35

Interview by Kyra-Jade Coombs and Kris PetersKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining in Sydney before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands.Today we catch up with VENDED not long after their Brisbane set…Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 10:08

Interview by Kyra-Jade Coombs and Angela CroudaceKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands.Today we catch up with Rou Reynolds from Enter Shikari.Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 10:27

Interview by Jimmy Glinster and Angela CroudaceKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands.Today we catch up with HEALTH not long before their Brisbane set…Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

07/03/2025 • 12:01

Interview by Jimmy Glinster and Kris PetersKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands. Or in this case, the funny guy travelling with them.Today we catch up with American comedian Luke Severeid who... well, we're still unsure what his role at Knotfest is, but we're sure you will have just as much fun finding out as we did!Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

06/03/2025 • 13:43

Interview by Jimmy Glinster and Kris PetersKnotfest Australia 2025 swept through Brisbane and Melbourne last weekend, and has just one show remaining before returning home for another 12 months.As expected, it was a bumper day filled with too many highlights to mention right now, but rest assured HEAVY made sure you get the story of the experience from the mouths of this behind the scenes making it all come true for fans around the country.The bands.Today we catch up with Jake Taylor from In Hearts Wake not long before their Brisbane set...Tickets https://www.destroyalllines.com/tours/knotfestBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

06/03/2025 • 08:49