In the Foreground: Conversations on Art & Writing
Durata totale:
24 h 31 min
The Evidentiary and the Black Body
In the Foreground: Conversations on Art & Writing
37:28
Creole in the Archive
In the Foreground: Conversations on Art & Writing
42:23
Connoisseurship and the Work of Naming
In the Foreground: Conversations on Art & Writing
58:42
Fashion and the Construction of Race
In the Foreground: Conversations on Art & Writing
28:15
Curating History and Race
In the Foreground: Conversations on Art & Writing
31:11
“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking
In the Foreground: Conversations on Art & Writing
43:20
"A Critique of What Art Can Do”: Jennifer Nelson on Undoing Mastery
In the Foreground: Conversations on Art & Writing
40:15
“To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art
In the Foreground: Conversations on Art & Writing
44:15
“The Magic Art of Framing”: Alexander Nemerov on Writing History and Making a World
In the Foreground: Conversations on Art & Writing
41:11
"On Living Archives": Tsedaye Makonnen on Collaboration and Black Performance Practices
In the Foreground: Conversations on Art & Writing
36:54
"Attention Becomes a Kind of Politics": Sarah Hamill on Sculpture and Interpretation
In the Foreground: Conversations on Art & Writing
33:45
“Shifting Focal Points”: Sergei Tcherepnin on Sonic Attention
In the Foreground: Conversations on Art & Writing
42:16
“What ‘Minor' Histories Allow Us to See”: Donette Francis on Writing African Diaspora
In the Foreground: Conversations on Art & Writing
41:34
"I Never Start with Nothing": Mary Lum on Collage and Constructed Geographies
In the Foreground: Conversations on Art & Writing
41:53
“An Outward-Looking Model”: The Future(s) of the University and Higher Education in a Digital Age with Koenraad Brosens and Blake Stimson
In the Foreground: Conversations on Art & Writing
57:01
“What are Our Important Questions?”: Collaboration and Interdisciplinarity in a Digital Age with Jacqueline Francis and Susan Elizabeth Gagliardi
In the Foreground: Conversations on Art & Writing
56:56
“To Make Visible the Structures”: Challenging the Canon, Digital and Beyond, with Niall Atkinson and Min Kyung Lee
In the Foreground: Conversations on Art & Writing
63:03
“Distance and Criticality”: The Digital Humanities and the Potential for Art History Scholarship with Hubertus Kohle and Emily Pugh
In the Foreground: Conversations on Art & Writing
62:05
“Directed Towards How We See Ourselves”: Social Art History in a Digital World with Paul B. Jaskot and Barbara McCloskey
In the Foreground: Conversations on Art & Writing
66:57
“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS
In the Foreground: Conversations on Art & Writing
09:29
“A Picture of Resilience”: Ashley Lazevnick on Charles Demuth’s "Red Poppies"
In the Foreground: Conversations on Art & Writing
10:16
“An Expression of the Poetic Self”: Yuefeng Wu on the Stele Inscription of the Jiu-Cheng Palace
In the Foreground: Conversations on Art & Writing
11:58
“From Imitation to Evolution”: Emmelyn Butterfield-Rosen on Georges Seurat’s "A Sunday on La Grande Jatte–1884"
In the Foreground: Conversations on Art & Writing
17:57
“An Allegory of Representation”: Byron Otis on Gabriel Metsu’s "View into a Hall with a Jester, a Boy, and his Dog"
In the Foreground: Conversations on Art & Writing
12:15
"Touching at a Distance”: Ellen Tani on Nadine Robinson’s "Coronation Theme: Organon"
In the Foreground: Conversations on Art & Writing
10:41
“Between the Personal and the Historical”: Asma Naeem on Listening to Art and Visual Culture
In the Foreground: Conversations on Art & Writing
41:00
“The Ethics of Seeing”: Kaira M. Cabañas on Creative Care and Art’s Histories
In the Foreground: Conversations on Art & Writing
54:38
“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History
In the Foreground: Conversations on Art & Writing
51:57
“To Approach the Object from Outside”: Joseph Koerner on History, Trauma, and Wonder
In the Foreground: Conversations on Art & Writing
55:23
“To See the Effects of Sound”: Niall Atkinson on Acoustic Topographies of the Early Modern
In the Foreground: Conversations on Art & Writing
45:42
“What a Picture Can’t Offer”: Michael Gaudio on the Imaginative Work of Sound in Art History
In the Foreground: Conversations on Art & Writing
45:48
“How Do We Know What We Know?”: Susan Elizabeth Gagliardi on Fieldwork and Evidence
In the Foreground: Conversations on Art & Writing
51:17
“Becoming Belonged”: Roberto Tejada on the Political Project of Photography and Poetry
In the Foreground: Conversations on Art & Writing
53:56
“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game
In the Foreground: Conversations on Art & Writing
57:02
“Always About to Take Place”: Glenn Peers on the Byzantine Fresco Chapel
In the Foreground: Conversations on Art & Writing
14:14
“The Status of the Human”: Amy Freund on the First French Hunting Portrait
In the Foreground: Conversations on Art & Writing
13:33
“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother”
In the Foreground: Conversations on Art & Writing
11:24
“A Rebuke to Polite Masculinity”: Charles Keiffer on Thomas Patch’s “British Gentlemen at Sir Horace Mann’s Home in Florence”
In the Foreground: Conversations on Art & Writing
09:11
“The Color of Emergency”: Joan Kee on Chao-Chen Yang’s “Apprehension”
In the Foreground: Conversations on Art & Writing
13:24
“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove”
In the Foreground: Conversations on Art & Writing
10:35
