Classics Explained: Stravinsky - The Rite of Spring - Jeremy Siepmann

01	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Introduction, background and perspective	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	05:04
	作曲者： Jeremy Siepmann
02	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A gentle, other-worldly start; no sign of the violence to come	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:33
	作曲者： Jeremy Siepmann
03	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Music as mosaic; the composer as constructor	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:57
	作曲者： Jeremy Siepmann
04	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Two functions of metrical change: Going with the flow...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:23
	作曲者： Jeremy Siepmann
05	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): ...Or disrupting It: A sample of metrical violence	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:02
	作曲者： Jeremy Siepmann
06	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A stealthy entry [clarinets]	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:34
	作曲者： Jeremy Siepmann
07	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Detour: The destabilising properties of chromaticism	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	04:04
	作曲者： Jeremy Siepmann
08	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): On melodies, themes and motifs	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:03
	作曲者： Jeremy Siepmann
09	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): The new cor anglais motif dominates	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:27
	作曲者： Jeremy Siepmann
10	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): The oboe's rhythmic motif takes over	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:25
	作曲者： Jeremy Siepmann
11	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A primeval awakening	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:37
	作曲者： Jeremy Siepmann
12	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A panoply of Stravinskyan birdsong	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:59
	作曲者： Jeremy Siepmann
13	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A matter of mode	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:15
	作曲者： Jeremy Siepmann
14	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Cue to Introduction	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:09
	作曲者： Jeremy Siepmann
15	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Introduction [complete]	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	03:38
	作曲者： Jeremy Siepmann
16	Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Pt. I: The Adoration of the Earth: The Augurs of Spring / Dances o	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:41
	作曲者： Jeremy Siepmann
17	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: The great arrival: Bitonality	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:35
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18	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: Putting the boot in: A metrical mugging	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:45
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19	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: The prevalence of ostinatos, and a righting	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:51
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20	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: Metre restores (briefly) but the 'savage mot	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:50
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21	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: The musical savages routed	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:19
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22	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: An important new arrival (the 'horn motif')	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:05
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23	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: Another new theme from the horns	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:48
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24	Part I, the Adoration of the Earth, the Augurs of Spring / Dances of the Young Girls: A crowded conclusion	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:44
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25	Part I, the Adoration of the Earth, Ritual of Abduction: A real study in contrasts	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:31
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26	Part I, the Adoration of the Earth, Ritual of Abduction: Panic and pandemonium as timpani open fire	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:10
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27	Part I, the Adoration of the Earth, Ritual of Abduction: Climactic melee haunted by 'fear motif'	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:35
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28	Part I, the Adoration of the Earth, Spring Rounds: Suddenly another world, as flutes hover over harmonic vapour...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:59
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29	Part I, the Adoration of the Earth, Spring Rounds: ...But a transient one: New movement arises from the deep	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:51
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30	Part I, the Adoration of the Earth, Spring Rounds: 'Dragging feet motif' over ostinato violins, twice interrupted	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:43
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31	Part I, the Adoration of the Earth, Spring Rounds: 'Marching motif' developed further by flutes and horns	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:45
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32	Part I, the Adoration of the Earth, Spring Rounds: A trilling commentary from piccolo and high clarinet	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:25
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33	Part I, the Adoration of the Earth, Spring Rounds: 'Marching motif' theme goes polymetric in huge crescendo	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:17
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34	Part I, the Adoration of the Earth, Spring Rounds: An unexpected change of pace as tempo doubles	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:53
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35	Part I, the Adoration of the Earth, Spring Rounds: And an unexpected reversion, to a quiet close	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:41
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36	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: Violent onslaught from brass and timpani launches the 'Rival Tribe	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:25
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37	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: Rival Tribes, rival motifs	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:22
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38	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: Sensational violence comes close to chaos	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:38
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39	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: Effects, impressions and alteration	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:40
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40	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: A surprise re-entry and a change of instrumental clothing	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:55
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41	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: A thinning of texture, a new idea, and a rude interruption	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:34
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42	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: The new idea developed: A Minor earthquake	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:41
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43	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: The use of tone colour as an agent of rhythm	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:32
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44	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: An unusual climax...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:31
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45	Part I, the Adoration of the Earth, Ritual of the Rival Tribes: ...And a sinister transition	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:51
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46	Part I, the Adoration of the Earth, Procession of the Sage: Across the threshold into an instrumental population explosion	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:29
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47	Part I, the Adoration of the Earth, Procession of the Sage: A sudden silence and then another world	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:00
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48	Part I, the Adoration of the Earth, Procession of the Sage: Catapulted into the 'Dance of the Earth'	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:38
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49	Part I, the Adoration of the Earth, Dance of the Earth: Tiny changes, unyielding ostinatos, massive tension	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	03:19
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50	Part I, the Adoration of the Earth, Dance of the Earth: Cue to Pt. I complete	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:07
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51	Part I, the Adoration of the Earth, Dance of the Earth: Pt. I (complete)	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	16:08
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01	Part II, the Sacrifice, Introduction: Again a muted, subtly coloured start	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:09
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02	Part II, the Sacrifice, Introduction: Tone colour as atmosphere - The strings' motif	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:07
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03	Part II, the Sacrifice, Introduction: Four solo violas, above gently rocking strings	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:23
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04	Part II, the Sacrifice, Introduction: A pregnant pause, and a new motif in muted trumpets	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:14
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05	Part II, the Sacrifice, Mystic Circles of the Young Girls: Motif from the Introduction varied and extended	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:28
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06	Part II, the Sacrifice, Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, Is introduced by alto flu	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:34
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07	Part II, the Sacrifice, Mystic Circles of the Young Girls: Variant of Motif No. 2 given out by two clarinets	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:44
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08	Part II, the Sacrifice, Mystic Circles of the Young Girls: Continued by oboes and bassoons; new motif in violins, cellos and bass	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:33
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09	Part II, the Sacrifice, Mystic Circles of the Young Girls: Main motifs yield to new idea from flutes	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:38
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10	Part II, the Sacrifice, Mystic Circles of the Young Girls: All change - Direction, tone colour, metre - And two new ostinatos	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:40
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11	Part II, the Sacrifice, Mystic Circles of the Young Girls: Motif No. 1 returns in horn, then passed to flutes and strings	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:46
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12	Part II, the Sacrifice, Mystic Circles of the Young Girls: Texture, balance and tone colour keep changing	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:27
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13	Part II, the Sacrifice, Mystic Circles of the Young Girls: Instrumental enrichment, new counterpoint and a bleat of alarm	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:40
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14	Part II, the Sacrifice, Mystic Circles of the Young Girls: New derivative of Motif No. 2, A host of new sounds - And again the ble	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:48
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15	Part II, the Sacrifice, Mystic Circles of the Young Girls: Into the finishing stretch, and we know we're in for something big	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:45
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16	Part II, the Sacrifice, Mystic Circles of the Young Girls: Putting the movement back together again	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:08
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17	Part II, the Sacrifice, Mystic Circles of the Young Girls: Mystic Circles of the Young Girls (complete)	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	08:16
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18	Part II, the Sacrifice, Glorification of the Chosen One: On into one of the most sensational movements ever written	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:36
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19	Part II, the Sacrifice, Glorification of the Chosen One: The violence Is almost graphic. An example of musical terrorism	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:36
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20	Part II, the Sacrifice, Glorification of the Chosen One: Motif No. 2: A terrible, off-beat com-pah from strings, horns and oboes	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:13
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21	Part II, the Sacrifice, Glorification of the Chosen One: The air Is filled with the fearsome baying of wind and violins	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:20
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22	Part II, the Sacrifice, Glorification of the Chosen One: A variant of Motif No. 2, But now descending	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:15
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23	Part II, the Sacrifice, Glorification of the Chosen One: A study in the bruality of suspense - A musical mugging	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	04:12
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24	Part II, the Sacrifice, Glorification of the Chosen One: The middle section begins with a massive but unequal confrontation	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:27
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25	Part II, the Sacrifice, Glorification of the Chosen One: Against the odds, the 'descending motif' comes out on top	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:23
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26	Part II, the Sacrifice, Glorification of the Chosen One: In the midst of the fray, a new 'rising motif' emerges...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:03
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27	Part II, the Sacrifice, Glorification of the Chosen One: ...And undergoes a typcially Stravinskyan expansion and compression	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:04
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28	Part II, the Sacrifice, Glorification of the Chosen One: A much-needed breath before the movement entire	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:17
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29	Part II, the Sacrifice, Glorification of the Chosen One: Glorification of the Chosen One (complete)	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:45
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30	Part II, the Sacrifice, Evocation of the Ancestors: The next movement consists of a single, chordal motif, three times varied	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:59
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31	Part II, the Sacrifice, Evocation of the Ancestors: The second statement: Breaking the metrical flow	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	02:13
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32	Part II, the Sacrifice, Ritual Action of the Ancestors: At last the establishment of a clear and steady beat, but will It last?	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:21
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33	Part II, the Sacrifice, Ritual Action of the Ancestors: A counterpoint of ostinatos lends continuity to changing time signatures	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:42
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34	Part II, the Sacrifice, Ritual Action of the Ancestors: Horns introduce the first real motif, destabilised by multiple metres	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:33
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35	Part II, the Sacrifice, Ritual Action of the Ancestors: The motif disappears, though the background ostinato continues	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:32
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36	Part II, the Sacrifice, Ritual Action of the Ancestors: A change of mood, then the whole orchestra crashes in	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:49
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37	Part II, the Sacrifice, Ritual Action of the Ancestors: The steady pulse gives way to a tossed salad of one-bar motifs	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:43
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38	Part II, the Sacrifice, Ritual Action of the Ancestors: Lately abandoned, the steady pulse returns, as does the 'trumpet motif'	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:06
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39	Part II, the Sacrifice, Ritual Action of the Ancestors: The movement ends with a varied reprise of the opening	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:15
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40	Part II, the Sacrifice, Ritual Action of the Ancestors, Evocation of the Ancestors (complete) and Ritual Action of the Ancestors [	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	04:23
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41	Part II, the Sacrifice, Sacrificial Dance: The last movement Is based on two motifs, the first most motable for its rhythm	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:20
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42	Part II, the Sacrifice, Sacrificial Dance: The second motif Is likewise predominatly rhythmical in effect	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:16
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43	Part II, the Sacrifice, Sacrificial Dance. Two variants: One a rhythmic simplification, the other an expansion	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:20
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44	Part II, the Sacrifice, Sacrificial Dance: A new section, again with two main motifs, the first from wind and strings	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:27
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45	Part II, the Sacrifice, Sacrificial Dance: This Is joined by another bried but very striking motif from muted brass	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:20
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46	Part II, the Sacrifice, Sacrificial Dance: Tension dramatically increased by a violent interruption from timpani and gong	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:35
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47	Part II, the Sacrifice, Sacrificial Dance: Motif No. 2 Is passed from bassoons to high wind and trumpets...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:34
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48	Part II, the Sacrifice, Sacrificial Dance: ...And Is twice interrupted by horns	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:42
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49	Part II, the Sacrifice, Sacrificial Dance: Motif No. 1 erupts in full orchestra, then all hell breaks loose	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:48
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50	Part II, the Sacrifice, Sacrificial Dance: New ostinato, over implacable repetitions of Motif No. 1, Offset by clarinets	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:27
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51	Part II, the Sacrifice, Sacrificial Dance. A new section, kick-started by percussion: Timpani, bass drum and gong	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:11
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52	Part II, the Sacrifice, Sacrificial Dance: Horns, doubled by strings, introduce the main idea of This new section	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:18
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53	Part II, the Sacrifice, Sacrificial Dance: The return of the movement's opening section - Or so we may think	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:54
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54	Part II, the Sacrifice, Sacrificial Dance: Dramatic compression of now-familiar material	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:40
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55	Part II, the Sacrifice, Sacrificial Dance: A terrifying cocktail of motifs old and new confounds expectations...	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:00
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56	Part II, the Sacrifice, Sacrificial Dance: ...And leads to the coda, the final flourish of the whole work	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	01:45
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57	Part II, the Sacrifice, Sacrificial Dance: Cue to all of Pt. II and end of CD	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	00:11
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58	Part II (complete)	Jeremy Siepmann	Classics Explained: Stravinsky - The Rite of Spring	18:58
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01

Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Introduction, background and perspective

Classics Explained: Stravinsky - The Rite of Spring

05:04

02

Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): A gentle, other-worldly start; no sign of the violence to come

Jeremy Siepmann

Classics Explained: Stravinsky - The Rite of Spring

01:33

03

Classics Explained, STRAVINSKY - The Rite of Spring (Siepmann): Music as mosaic; the composer as constructor

Jeremy Siepmann