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04:34

48

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen

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05:36

49

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

Waldemar Kmett

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01:09

50

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

VMargit Opawsky, ienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen

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09:24

51

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen

Bigger Bach Set

01:08

52

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen

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01:17

53

Magnificat in D, BWV243: i. Coro: Magnificat anima mea

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03:10

54

Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

Margaret Sjöstedt

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02:29

55

Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

ミミ・ケルツェ

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02:50

56

Magnificat in D, BWV243: iv. Coro: Omnes generationes

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01:34

57

Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

Frederic Guthrie

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02:15

58

Magnificat in D, BWV243: vi. Duetto: Et misericordia

Hilde Rössl-Majdan

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03:51

59

Magnificat in D, BWV243: vii. Coro: Fecit potentiam

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02:06

60

Magnificat in D, BWV243: viii. Aria: Deposuit potentes

アントン・デルモータ

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02:24

61

Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

Hilde Rössl-Majdan

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02:52

62

Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

Margaret Sjöstedt

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02:18

63

Magnificat in D, BWV243: xi. Coro: Sicut locutus est

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01:23

64

Magnificat in D, BWV243: xii. Coro: Gloria Patri

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02:11

65

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

James Buswell

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04:38

66

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

James Buswell

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03:22

67

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

James Buswell

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03:49

68

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

James Buswell & Fernando Valenti

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03:33

69

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

James Buswell

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03:48

70

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

James Buswell

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03:09

71

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

James Buswell

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04:05

72

No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

James Buswell

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04:54

73

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

James Buswell

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06:48

74

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

James Buswell

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03:13

75

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

James Buswell

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06:09

76

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

James Buswell

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03:47

77

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

James Buswell

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07:20

78

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

James Buswell

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04:42

79

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

James Buswell

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04:44

80

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

James Buswell

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04:36

81

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

James Buswell

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07:35

82

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

James Buswell

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04:45

83

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

James Buswell & Fernando Valenti

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05:33

84

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

James Buswell

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02:09

85

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

James Buswell

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03:47

86

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

James Buswell

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02:08

87

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

James Buswell

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05:14

88

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

James Buswell

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04:16

89

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

James Buswell & Fernando Valenti

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03:06

90

Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

08:57

91

Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

Uno Ebrelius

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00:45

92

Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

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01:03

93

Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

Uno Ebrelius

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00:29

94

Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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00:20

95

Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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00:33

96

Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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00:35

97

Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

Uno Ebrelius

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01:27

98

Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

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01:11

99

Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

Hilde Rössl-Majdan

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05:21

100

Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

Uno Ebrelius

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00:41

101

Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

04:01

102

Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

Uno Ebrelius

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00:12

103

Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

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00:23

104

Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

Uno Ebrelius, Waldemar Kmentt, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

01:42

105

Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

Bigger Bach Set

01:06

106

Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand m

U Ebrelius

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03:37

107

Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

Theresa Stich-Randall

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01:55

108

Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

Theresa Stich-Randall

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04:28

109

Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

Uno Ebrelius

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01:07

110

Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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01:20

111

Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

Uno Ebrelius

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01:10

112

Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

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01:19

113

Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

01:40

114

Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

ヴァルデマール・クメント

Bigger Bach Set

02:35

115

Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

ヴァルデマール・クメント

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05:50

116

Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

Uno Ebrelius

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00:51

117

Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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01:23

118

Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

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06:05

119

Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

Uno Ebrelius

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01:20

120

Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

01:23

121

Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

Uno Ebrelius

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02:31

122

Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Bl

Theresa Stich-Randall

Bigger Bach Set

05:25

123

Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

Hilde Rössl-Majdan

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02:25

124

Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

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09:15

125

Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

04:58

126

Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

Uno Ebrelius

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01:10

127

Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

01:00

128

Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen he

Uno Ebrelius

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01:20

129

Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

Bigger Bach Set

01:20

130

Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

ヴァルデマール・クメント

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04:25

131

Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Choru

Uno Ebrelius

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01:43

132

Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

00:43

133

Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

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01:02

134

Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast /

Uno Ebrelius

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01:19

135

Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

01:15

136

Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller

Bigger Bach Set

07:52

137

Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

Bigger Bach Set

01:15

138

Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus

Uno Ebrelius

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01:13

139

Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

Uno Ebrelius

Bigger Bach Set

00:51

140

Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

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03:48

141

Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

Uno Ebrelius

Bigger Bach Set

02:24

142

Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

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01:21

143

Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfl

Uno Ebrelius

Bigger Bach Set

02:44

144

Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

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00:59

145

Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

Uno Ebrelius

Bigger Bach Set

00:17

146

Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

Theresa Stich-Randall

Bigger Bach Set

01:27

147

Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

Theresa Stich-Randall

Bigger Bach Set

05:49

148

Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: D

Uno Ebrelius

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02:25

149

Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

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01:22

150

Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

Hilde Rössl-Majdan

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08:11

151

Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Ju

Uno Ebrelius

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01:22

152

Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

Bigger Bach Set

02:46

153

Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

Uno Ebrelius

Bigger Bach Set

00:56

154

Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

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00:39

155

Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

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06:55

156

Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempe

Uno Ebrelius

Bigger Bach Set

03:45

157

Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Ander

Uno Ebrelius

Bigger Bach Set

00:18

158

Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

Hilde Rössl-Majdan

Bigger Bach Set

02:07

159

Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

Hilde Rössl-Majdan

Bigger Bach Set

03:45

160

Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitati

Uno Ebrelius

Bigger Bach Set

02:20

161

Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

Bigger Bach Set

01:53

162

Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrl

Uno Ebrelius

Bigger Bach Set

02:46

163

Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

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02:26

164

Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

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08:03

165

Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht

Uno Ebrelius

Bigger Bach Set

02:59

166

Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

T Stich-Randall

Bigger Bach Set

02:22

167

Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder

Bigger Bach Set

07:04

168

Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

Paula Robison

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04:17

169

Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

Paula Robison

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03:12

170

Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

Paula Robison

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04:58

171

Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

Paula Robison

Bigger Bach Set

03:31

172

Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

Paula Robison

Bigger Bach Set

04:21

173

Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

Paula Robison

Bigger Bach Set

04:28

174

Partita in A Minor for Solo Flute, BWV 1013: i. Allemande

Paula Robison

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03:17

175

Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

Paula Robison

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03:37

176

Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande

Paula Robison

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04:12

177

Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise

Paula Robison

Bigger Bach Set

02:41

178

Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

Paula Robison

Bigger Bach Set

03:55

179

Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

Paula Robison

Bigger Bach Set

04:42

180

Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

Paula Robison

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02:44

181

Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

Paula Robison

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03:03

182

Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

Paula Robison

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03:28

183

Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

Paula Robison

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03:17

184

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

Paula Robison

Bigger Bach Set

04:08

185

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

Paula Robison

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03:32

186

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

Paula Robison

Bigger Bach Set

02:32

187

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

Paula Robison

Bigger Bach Set

02:34

188

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

Bigger Bach Set

06:11

189

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

Bigger Bach Set

00:31

190

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

Bigger Bach Set

04:00

191

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Ver

Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska

Bigger Bach Set

00:45

192

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska

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02:49

193

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

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194

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen s

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Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keusche

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196

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend h

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197

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor

Theresa Stich-Randall

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198

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore

Theresa Stich-Randall

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199

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore

Theresa Stich-Randall

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200

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta

Theresa Stich-Randall

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201

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento

Theresa Stich-Randall

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202

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!

Theresa Stich-Randall

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203

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an

Theresa Stich-Randall

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204

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte

VTheresa Stich-Randall

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205

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alle

Theresa Stich-Randall

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206

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott

English Chamber Orchestra

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207

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was v

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208

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes

マイケル・リッポン

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209

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus

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210

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär

English Chamber Orchestra

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04:19

211

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi b

Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale

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212

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, d

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04:14

213

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn

English Chamber Orchestra

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214

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen

イギリス室内管弦楽団

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215

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf

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216

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah

English Chamber Orchestra

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217

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben

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218

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends

Helen Watts, Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale

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219

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir

English Chamber Orchestra, Johannes Somary & Amor Artis Chorale

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220

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen H

ロバート・ティアー

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221

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück

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222

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an

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223

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke

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224

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen

イギリス室内管弦楽団

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225

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.)

James Friskin

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226

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.)

James Friskin

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245

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.)

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.)

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.)

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31

James Friskin

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Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo

James Friskin

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257

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia

Akademie Choir

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio

Akademie Choir

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259

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe

Kurt Equiluz, Walter Berry, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska

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260

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männ

Hilde Rössl-Majdan

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien

Maja Weis-Osborn

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262

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft

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263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer

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Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir

Maja Weis-Osborn

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265

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde

Hilde Rössl-Majdan

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266

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut

ヴァルター・ベリー

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267

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank

Akademie Choir

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268

Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50

Orchestra of The Vienna State Opera

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269

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!

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270

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr ver

Norman Foster

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01:39

271

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag

Erika Wien

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04:31

272

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmli

フーゴ・メイヤー=ヴェルフィンク

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273

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen

Anny Felbermayer, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska

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274

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unar

Hugo Meyer-Welfing, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska

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275

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele

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276

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor

フーゴ・メイヤー=ヴェルフィンク

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03:43

277

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dies

Norman Foster

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02:17

278

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag

Norman Foster

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03:20

279

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel n

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01:20

280

Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde"

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09:27

281

Passion According to St. John, BWV245: Aria, “Est ist vollbracht"

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282

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde"

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09:03

283

Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland"

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284

Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'

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08:47

285

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden"

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286

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut"

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03:20

287

Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion"

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05:28

288

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia

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289

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein H

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02:26

290

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe

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01:01

291

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt

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05:32

292

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch d

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00:32

293

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns dein