Minimalist composer who, with the new composition for the film "Un Chien Andalou" by Luis Buñuel, exceptionally surprised at the Calanda International Film Festival (selected for the closing competition), was recognized as the new Gershwin of the 21st century by the film and television producer José María Quintana (TVE, tv3, La noche Témática) and also as the precursor of the new surrealist style that goes further and enhances the magic of the image of Buñuel's cinema and surrealism. Being a participant in various silent film festivals such as the Muet et Piano Parlant D'Anères film festival, with its new dramatized compositions for the image, and in the Silent Film Days for Europe adapting and creating music for different films from the decades of 1920 and 1930.
He creates the complete work titled "5 pieces for a presumed decline", in which he shows the tendency towards the minimalist style.
He has collaborated with the Center Pompidour and the Ircam in Paris.
He collaborates in the production of the book "Music Therapy in Medicine" (Ediciones Medicas Jims) with the Hospital del Mar in Barcelona.
After composing alternative and dodecaphonic music, as the works from this period are: Twelve-tone Sonata for piano and flute, Twelve-tone Sonata for piano and guitar, Variations on a theme of his own, he decides to do something more minimalist and surreal by writing "pieces enclosed in constant movement".
The experimental work that he carried out years ago goes from mathematical to melodic structures.
