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Gundula Janowitz

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Schubert: Ave Maria, "Ellens Gesang III", D839 Gundula Janowitz, Irwin Gage 02:41
4 Refrainlieder, D.866 : Schubert: 4 Refrainlieder, D.866 - 3. Die Männer sind méchant Gundula Janowitz, Irwin Gage 02:20
Schubert: Der König in Thule, D. 367 Gundula Janowitz, Irwin Gage 03:53
Judas Maccabaeus, HWV 63: Part II: Aria: "Er nahm den Raub der Königsmacht" Radio-Symphonie-Orchester Berlin, Gundula Janowitz, Helmut Koch 07:38
Judas Maccabaeus, HWV 63: Part I: Duet: "Komm, süße Freiheit" Radio-Symphonie-Orchester Berlin, Gundula Janowitz, Peter Schreier, Helmut Koch 01:25
Judas Maccabaeus, HWV 63: Part I: Recitative: "Vor Gottes mächt'gem Thron gebeugt" Radio-Symphonie-Orchester Berlin, Gundula Janowitz, Helmut Koch 00:29
Schubert: Die Forelle, D.550 Gundula Janowitz, Irwin Gage 02:00
Die Walküre, WWV 86B / Act I : Wagner: Die Walküre, WWV 86B / Act I - "Du bist der Lenz" Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan 02:02
Die Walküre, WWV 86B / Act I : Wagner: Die Walküre, WWV 86B / Act I - "War Wälse dein Vater, und bist du ein Wälsung" Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan 02:00
Schubert: Bertas Lied in der Nacht, D.653 Gundula Janowitz, Irwin Gage 04:44

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Carmina Burana / Fortuna Imperatrix Mundi : Orff: Carmina Burana / Fortuna Imperatrix Mundi - I. O Fortuna
Carmina Burana / Fortuna Imperatrix Mundi : Orff: Carmina Burana / Fortuna Imperatrix Mundi - "Fortune plango vulnera"
Carmina Burana / I. Primo vere : Orff: Carmina Burana / I. Primo vere - "Veris leta facies"
Carmina Burana / I. Primo vere : Orff: Carmina Burana / I. Primo vere - "Omnia Sol temperat"

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Biografía

Gundula Janowitz was brought up in Graz, Austria but is originally of German extraction. She rose to fame in the 1960s and went on to become one of the most popular and best respected opera singers of the era. A student of the famous Graz Conservatory (she was made an honorary member in 1986), towards the end of the 1950s Janowitz began singing at the highest level but her career really began to take off after the famed Austrian conductor Herbert Von Karajan engaged her to take on the role of Barbarina in Mozart's 'Marriage of Figaro' performed by the Vienna State Opera. Her performance as Barbarina established her as a soprano of some stature and she was subsequently invited to become a permanent member of Vienna State in 1962.

As her reputation spread throughout the world she began to build an impressive catalogue of recorded work covering works from Sebastian Bach to Richard Strauss. During her career she has tended to avoid foreign language roles, preferring to sing in her native tongue although there are a handful recordings which exist of her singing in Italian, notably 'Don Carlos' and 'Requiem'.