Escucha el podcast Two Composers, Two Continents

Sync Licensing 101: What Every Composer Needs to Know	Two Composers, Two Continents	64:31
Creating Virtual Instruments and Recording In A 19th-Century Church with Alessandro Mastroianni	Two Composers, Two Continents	43:11
New Orleans Jazz, Improvising Tips, and Musical Family Legacy with Trumpeter Mark Braud (Part 1)	Two Composers, Two Continents	29:47
Performing on Broadway and Founding a Production Music Library (Part 2 with Mark Braud)	Two Composers, Two Continents	28:07
Scoring 50 Episodes of Animation with Composer & Sound Designer Max Brodie (Part 1)	Two Composers, Two Continents	29:56
Tight Deadlines = Better Music? Max Brodie on Composing, Studio Workflow & Tom Rosenthal (Part 2)	Two Composers, Two Continents	30:29
Writing Jingles to Winning Emmy Awards with Composer Brad Hatfield (Part 1)	Two Composers, Two Continents	32:36
What Makes A Good Music Supervisor and Why You Shouldn't Write Music With Your Friends (Part 2 with Brad Hatfield)	Two Composers, Two Continents	28:02
Repairing Hammond Organs, Building Studio Monitors and Borrowing Horses…	Two Composers, Two Continents	51:47
How We Scored Our First Feature Film: Behind the ‘Super Size Me 2’ Soundtrack	Two Composers, Two Continents	26:46
Yodeling, Rootin’-Tootin’ Recording & Writing Cowboy Songs	Two Composers, Two Continents	31:55
Networking Without Networking: The Power of Music Communities	Two Composers, Two Continents	19:32
From Prog Rock to Stravinsky: Grammy-Winning Composer Jay Weigel’s Musical Journey (Part 1)	Two Composers, Two Continents	26:01
Why Film Directors and Composers Struggle to Communicate (Part 2 with Grammy-Winning Jay Weigel)	Two Composers, Two Continents	28:15
Curating our Christmas Vinyl: A Decade of Festive Big Band Music	Two Composers, Two Continents	34:48
Recomposing the Classical Favourites Series Part 2: Inside Abbey Road Recording Sessions	Two Composers, Two Continents	23:53
Recomposing the Classical Favourites Series: Part 1	Two Composers, Two Continents	35:39
The Voice of Jimmy Neutron on Auditions, Childhood Characters and The Sims Baby Cries	Two Composers, Two Continents	46:23
Adventures in New Orleans Part 3: Third Time's A Charm!	Two Composers, Two Continents	30:19
Music Editor Chad Birmingham on Temp Tracks, AI, and Working with Composers	Two Composers, Two Continents	36:04
Adventures in New Orleans Part 2: Back To The Big Easy!	Two Composers, Two Continents	28:06
Creating a Vintage Vocal Swing Album: Abbey Road, 1940s Style!	Two Composers, Two Continents	23:54
Adventures in New Orleans Part 1: The 30-Track Pitch	Two Composers, Two Continents	33:31
The Making of Who'd Have Believed Part 3: Post Production	Two Composers, Two Continents	32:05
The Making of Who'd Have Believed Part 2: Recording The Song	Two Composers, Two Continents	32:47
The Making of Who'd Have Believed Part 1: Writing the Song and Creating the Demo	Two Composers, Two Continents	28:02
Collaboration in the Music Industry: Why Bother?	Two Composers, Two Continents	31:43
Two Composers, Two Continents: Who The Hell Are We?	Two Composers, Two Continents	15:52
Coming soon…	Two Composers, Two Continents	00:28

Sync Licensing 101: What Every Composer Needs to Know

Two Composers, Two Continents

64:31

Creating Virtual Instruments and Recording In A 19th-Century Church with Alessandro Mastroianni

Two Composers, Two Continents

43:11

New Orleans Jazz, Improvising Tips, and Musical Family Legacy with Trumpeter Mark Braud (Part 1)

Two Composers, Two Continents

29:47

Performing on Broadway and Founding a Production Music Library (Part 2 with Mark Braud)

Two Composers, Two Continents

28:07