The Cinematography Podcast
Skupno trajanje:
46 h 30 min
Bringing indie instincts to Voicemails for Isabelle
The Cinematography Podcast
63:06
Michael Bauman on building horror for Monster: The Ed Gein Story
The Cinematography Podcast
71:12
Shooting mud, fog and firelight in A Knight of the Seven Kingdoms
The Cinematography Podcast
71:12
Matt Ball on shooting in remote regions for Tucci in Italy
The Cinematography Podcast
71:12
Eben Bolter, ASC, BSC reimagines a noir classic in Cape Fear
The Cinematography Podcast
71:12
Lyle Vincent on lighting the darkness of The Beast in Me
The Cinematography Podcast
71:12
Christian Sprenger on building the horror-comedy Widow’s Bay
The Cinematography Podcast
71:12
Peter Konczal, ASC on Black Rabbit’s raw, low-contrast look
The Cinematography Podcast
71:12
Suburban street photography and voyeurism in DTF St. Louis
The Cinematography Podcast
71:12
Smoke, spotlights, Silicon Valley secrets in The Audacity
The Cinematography Podcast
71:12
Bonus Episode: Peter Deming, ASC
The Cinematography Podcast
71:12
Shooting in the dark: the making of Spider Noir
The Cinematography Podcast
71:12
James Laxton, ASC Frames Class and Generation Gaps in Beef 2
The Cinematography Podcast
71:12
Evoking dread in Something Very Bad is Going to Happen
The Cinematography Podcast
71:12
Lawrence Sher ASC: filming Apex in the Australian wilderness
The Cinematography Podcast
71:12
Tari Segal, ASC: visual magic in Margo’s Got Money Troubles
The Cinematography Podcast
71:12
DP Greta Zozula on the look of The Testaments
The Cinematography Podcast
71:12
The scrappy, indie production of Hunting Matthew Nichols
The Cinematography Podcast
71:12
Two horror films, one DP: They Will Kill You, Faces of Death
The Cinematography Podcast
71:12
Ted Hope, Hope For Film: the rebirth of independent cinema
The Cinematography Podcast
71:12
Two DPs, one vision: creating the look of Pluribus
The Cinematography Podcast
71:12
Lawrence Sher, ASC reimagines Frankenstein for The Bride!
The Cinematography Podcast
71:12
2026 Academy Awards nominations with Jenelle Riley
The Cinematography Podcast
71:12
James Whitaker: Good Luck Have Fun Don’t Die’s visual chaos
The Cinematography Podcast
71:12
Danny Cohen, BSC: Slow Horses ‘dirty London’ cinematography
The Cinematography Podcast
71:12
Into the Dark Ages: the gothic vision of The Dreadful
The Cinematography Podcast
71:12
Special Episode: Frederick Wiseman, acclaimed filmmaker
The Cinematography Podcast
54:29
Adolpho Veloso: capturing memory, naturalism in Train Dreams
The Cinematography Podcast
71:12
Sean Bobbitt on 28 Years Later: The Bone Temple’s madness
The Cinematography Podcast
88:26
Russell Carpenter, ASC: Lighting the world of Fire and Ash
The Cinematography Podcast
50:09
DP Michael Bauman on One Battle After Another’s improv style
The Cinematography Podcast
80:49
Amy Vincent, ASC on the visual heart of Song Sung Blue
The Cinematography Podcast
70:46
Caleb Heymann: the cinematic playground of Stranger Things
The Cinematography Podcast
70:15
Steve Yedlin’s gothic look for Knives Out: Wake Up Dead Man
The Cinematography Podcast
69:44
BONUS EPISODE: Sinners DP Autumn Durald Arkapaw, ASC
The Cinematography Podcast
52:37
Bryan Fuller and Nicole Whitaker: Dust Bunny’s nightmare whimsy
The Cinematography Podcast
75:17
Eric Lin and Lyle Vincent tell a tragic story in Rosemead
The Cinematography Podcast
75:22
Alice Brooks, ASC returns to Oz in Wicked: For Good
The Cinematography Podcast
63:58
DP Jess Hall’s retro look on The Fantastic Four: First Steps
The Cinematography Podcast
49:07
Jeff Cutter: melding the alien worlds of Predator: Badlands
The Cinematography Podcast
75:26
