The Clash
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| Should I Stay or Should I Go | The Clash | 03:09 | |
| London Calling | The Clash | 03:20 | |
| The Guns of Brixton | The Clash | 03:12 | |
| Rock the Casbah | The Clash | 03:42 | |
| The Magnificent Seven | The Clash | 05:33 | |
| Bankrobber | The Clash | 04:34 | |
| Rudie Can't Fail | The Clash | 03:28 | |
| I Fought the Law | The Clash | 02:43 | |
| (White Man) in Hammersmith Palais | The Clash | 04:00 | |
| Police & Thieves | The Clash | 05:59 |
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![Album cover of From Here to Eternity (Live) [Remastered]](https://cdns-images.dzcdn.net/images/cover/486e8f959b5e6c53338e20dac5318f8e/264x264.jpg)
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A seminal band born out of the British punk revolution of the mid-1970s, The Clash rose to become one of the world's biggest bands. Even after their split in 1986 their influence remains strong and their music - including classic tracks like Should I Stay Or Should I Go? and Rock The Casbah - is as popular as ever. They made their live debut supporting the Sex Pistols in Sheffield in 1976 and released their first single White Riot in 1977, closely followed by their self-titled debut album. Subsequent singles Clash City Rockers and the ska-flavoured (White Man) In Hammersmith Palais caused quite a stir, but it was their strident third album London Calling that really lifted them above the pack; and is now justifiably regarded as a classic as they diversified into reggae, dub and other styles on a political triple album Sandinista in 1980. It established them as a stadium band but Topper Headon was sacked while he battled heroin addiction and other internal frictions led to the band's split in 1986.