Artist picture of Akademie fur Alte Musik Berlin

Akademie fur Alte Musik Berlin

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Concerto in D Minor for oboe, strings and basso continuo : II. Adagio Xenia Löffler, Xenia Löffler, Akademie für Alte Musik Berlin and Georg Kallweit, Akademie fur Alte Musik Berlin, Georg Kallweit 03:10
Magnificat, Wq. 215 : 5. Arie. Fecit potentiam in bracchio suo (B) Markus Eiche, Markus Eiche, Akademie für Alte Musik Berlin and Hans-Christoph Rademann, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann 03:37
Le Portrait musical de la Nature ou Grande Simphonie in G Major: V. L'inno con variazioni - Coro Allegro con brio - Andantino Akademie fur Alte Musik Berlin, Bernhard Forck 04:53
Selig ist der Mann, BWV 57: VIII. Choral "Richte dich, Liebste" Members of RIAS Kammerchor, Akademie fur Alte Musik Berlin, Raphael Alpermann 00:47
Magnificat, Wq. 215 : 1. Chor. Magnificat anima mea Dominum RIAS Kammerchor, RIAS Kammerchor, Akademie für Alte Musik Berlin and Hans-Christoph Rademann, Akademie fur Alte Musik Berlin, Hans-Christoph Rademann 02:53
Die Zauberflöte, K. 620: Ouvertüre Akademie fur Alte Musik Berlin, Akademie für Alte Musik Berlin and René Jacobs, René Jacobs 06:01
Viola Concerto in G Major, TWV 51:G9: III. Andante Antoine Tamestit, Akademie fur Alte Musik Berlin, Bernhard Forck 03:07
Viola Concerto in G Major, TWV 51:G9: I. Largo Antoine Tamestit, Akademie fur Alte Musik Berlin, Bernhard Forck 02:56
Viola Concerto in G Major, TWV 51:G9: II. Allegro Antoine Tamestit, Akademie fur Alte Musik Berlin, Bernhard Forck 02:25
Viola Concerto in G Major, TWV 51:G9: IV. Presto Antoine Tamestit, Akademie fur Alte Musik Berlin, Bernhard Forck 03:04

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Grammy-winning, globetrotting chamber orchestra Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) came from behind the Iron Curtain in East Berlin in 1982, intrigued by the increase in interest in period-accurate instrumentation that was percolating elsewhere in the classical world. The group was able to break out globally after the reunification of Germany in 1990, and embarked on multiple decades of prominence in the period-instrument world, highlighted by collaborations with figures like Belgian conductor René Jacobs and Italian mezzo-soprano Cecila Bartoli. The unit was nominated for a Grammy in 1999 in the Best Small Ensemble Performance category for its recording of Scarlatti: Il Primo Omicidio, and was the backing orchestra for Bartoli’s Grammy-winning Dreams & Fables - Gluck Italian Arias in 2001. They have also delved into the dance world and performed alongside several prominent modern dance troupes, and have headlined opera houses and festivals around the world, including the Innsbruck Festival of Early Music and at Carnegie Hall in New York.