Artist picture of John Butler Trio

John Butler Trio

133 166 fans

Artist's Top Tracks

Betterman John Butler Trio 03:43
Just Call John Butler Trio 03:27
Groovin' Slowly John Butler Trio 04:31
What You Want John Butler Trio 05:20
Used to Get High John Butler Trio 04:27
Running Away John Butler Trio 05:12
Spring To Come John Butler Trio 04:13
Sista (Remastered) John Butler Trio 03:16
Zebra John Butler Trio 03:57
Peaches & Cream John Butler Trio 06:43

Most popular release

Treat Yo Mama
Peaches & Cream
Company Sin

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Born in California and of mixed Australian, Greek and Bulgarian ancestry, Butler began his musical career in classic if tentative style. The narrative arc is well-known Down Under. An art-school dropout, he was ‘discovered’ (although in truth his career was already taking off) busking in 1996, bystanders marvelling at ‘the sweat flying off his brow’ and ‘the holy madness in his eyes’. The tape of these early compositional soundscapes (Searching for Heritage) gave an inkling of where Butler was going, reaching as it did both forwards and backwards in time, conversant with all genres and yet somehow defining its own. The sound had, and still has, elements of folk, funk, reggae and rock all drizzled through the 90s Seattle sensibility of Cobain and Vedder. Behind all that there was a wistful Celtic ambience surreally counterpointed by a Jamaican roots/rudeboy vibe. What could have been a mess somehow made perfect sense, with the bluegrass fingerpicking, hip hop beats and psychedelic wig-outs proving not uneasy bedfellows but perfect complements. On the new album it goes even further, yet with a restraint that bespeaks a deepening maturity. There are dirty Stevie Wonder style boogies, ghostly refrains that could come from Simon and Garfunkel, sonic poltergeists which seem, at times, to resemble lost Sting classics. In the hands of a lesser man this would be mere thievery dressed up as ‘eclecticism’. But Butler is a maestro, not a grave-robber: he takes his influences and transcends them. He creates a sound that is as ancient as aboriginal bone-art and yet as modern as your Twitter feed. It is clear, too, that he is one of the world’s greatest guitarists, a musician’s musician, one whose sound, unlike Johnny Cash’s, offers not three chords and the truth but a thousand. His prestidigitation is astounding. An old song like ‘Ocean’, for example, has chalked up 30 million Youtube hits, and not just with guitar freaks studying his technique. The new album has songs that are less expansive and more ‘reined in’, but the playing is all the more impressive for being more tightly corralled. Less sometimes really is more.