1 427 Fans
Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer : Mozart: Requiem In D Minor, K.626 - Compl. By Franz Xaver Süssmayer - 1. Introitus: Requiem / 2. Kyrie | Edith Mathis, Hans Haselböck, Wiener Philharmoniker, Karl Böhm | 09:39 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: II. Tuba mirum | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 04:19 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 6. Benedictus | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 06:54 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 3. Sequentia: IV. Recordare | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 07:05 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 4. Offertorium: Domine Jesu | Edith Mathis, Julia Hamari, Wieslaw Ochman, Karl Ridderbusch | 04:39 | |
Requiem In D Minor, K.626 : Mozart: Requiem In D Minor, K.626 - 7. Agnus Dei/ 8. Lux aeterna | Edith Mathis, Wiener Philharmoniker, Hans Haselböck, Karl Böhm | 11:29 | |
Le nozze di Figaro, K. 492 / Act 3 : Mozart: Le nozze di Figaro, K. 492 / Act 3 - "Sull’aria ... Che soave zeffiretto" | Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | 03:33 | |
Le Nozze Di Figaro: "Non piu andrai farfallone amoroso" | Walter Berry, Reri Grist, Ingvar Wixell, Claire Watson | 03:50 | |
Missa brevis In C, K.220 "Spatzenmesse" : Mozart: Missa brevis In C, K.220 "Spatzenmesse" - 5. Benedictus | Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen | 03:14 | |
Ich bin in mir vergnügt, BWV 204: Arie: "Die Schätzbarkeit der weiten Erden" | Kammerorchester Berlin, Edith Mathis, Peter Schreier | 05:16 |
von Edith Mathis, Ludwig van Beethoven, Alexander Young, Dietrich Fischer-Dieskau ...
26.08.22
26 Fans
Haydn: Die Schöpfung (The Creation)
von Sir Neville Marriner, Edith Mathis, Aldo Baldin, Dietrich Fischer-Dieskau...
Berlioz: La Damnation De Faust, Op. 24
von Edith Mathis, Stuart Burrows, Donald McIntyre, Thomas Paul...
Mendelssohn: A Midsummer Night's Dream, The Hebrides
von Edith Mathis, Ursula Boese, Chor Des Bayerischen Rundfunks, Wolfgang Schubert...
Neukomm: Messe de Requiem - Schubert: Offertorium
von Edith Mathis, Claudio Brizi, Jörg Ewald Dähler, Kusatsu Academy Chorus
Mozart: Le nozze di Figaro - Highlights
von Dietrich Fischer-Dieskau, Gundula Janowitz, Edith Mathis, Hermann Prey...
Mahler: Symphony No.2 - "Resurrection"
von Edith Mathis, Norma Procter, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelik
Born on February 11, 1938, in Lucerne, Switzerland, Edith Mathis is an award-winning soprano who specializes in interpreting the works of Wolfgang Amadeus Mozart, although she also performs the works of other classic composers. She is best known outside of classical music circles for her duet with Gundula Janowitz on a segment of Le Nozze di Figaro that was featured in the 1994 film The Shawshank Redemption. Edith Mathis made her operatic debut in Die Zauberflöte in 1956 which led to more stage experience over the next three years. She made her international debut in 1959, performing at the Cologne Opera in Germany. She continued her career with performances at the Glyndebourne Festival yin Hamburg, Germany and at the Salzburg Festival in Austria. In 1970, she made her debut at the Met in New York City, and at Covent Garden (The Royal Opera House) in London, England. While she has performed in many of Mozart’s operas – including Le Nozze di Figar, Don Giovanni, and Cosi Fan Tutte – Edith Mathis has also earned critical acclaim for her roles in Richard Strauss’ Der Rosenkavalier, Weber’s Der Freischütz, Menotti’s Help, Help, the Globolinks!, Henze’s Der Junge Lord, and others. Throughout her career, she has been honored with many awards including the International Mozarteum Foundation’s Mozart Medal and the Prix Mondial du Disque. Edith Mathis’ acclaimed catalog includes titles such as Handel’s Neun Deutsche Arien (1966), Beethoven’s Fidelio as Marcellina (1969), Berlioz’ La damnation de Faust as Marguerite (1973), Brahms’ Volkslieder, Volks-Kinderlieder (1975), and others. She’s also recorded some of Mozart’s works several times including his beloved Requiem, which she performed with the New Philharmonia Orchestra & Chorus (1963) and the Wiener Philharmoniker (1971).